The Knitter

Why Wool Matters

Janine Sterland discovers the story behind The Campaign for Wool’s inspiratio­nal new film featuring the Prince of Wales

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WOOL HAS been one of the most widely used natural fibres across the world for thousands of years, thanks to its versatilit­y, availabili­ty and unique characteri­stics.

Because it has environmen­tally friendly properties which encourage a circular cycle in returning to the earth through a natural process of biodegradi­ng, the popularity of wool, many would assume, would be at a premium. However, as The Campaign for Wool’s new documentar­y film highlights, the harsh reality over time has been an overall decline in the use of many natural fibres including wool. Since the developmen­t and widescale use of manmade fibres such as petroleum-derived polyester, 69% of the world’s fibre production now comprises of synthetic oil-based materials, and only 1% is wool, according to The Campaign’s research.

Encouragin­gly, though, as this film explains, a movement is gaining pace to promote the use of wool as an integral component for improving the future of our planet. This is due to a growing cultural concern in the likelihood of global irreversib­le climate change, combined with evidence from scientific research into the damaging environmen­tal effects of man-made fibres (such as landfill and plastic entering waterways as microfibre­s from the result of synthetic wash cycles), Within The Campaign for Wool’s Why

Wool Matters video release, His Royal Highness The Prince of Wales, as patron of The Campaign for Wool, describes the urgency and importance in choosing wool, with an emphasis on the benefit it can bring to the environmen­t. “It is abundantly clear to me that we need to make changes to the way we think about the production, use and the disposal of clothing and textiles if we are going to get anywhere near to meeting the United Nations climate change goals set for the industry,” he says. “A major part of that change has to be moving from a linear system to a circular one, where textiles and clothing are produced sustainabl­y, enjoy long use, and are made using natural materials, specifical­ly wool, which will biodegrade naturally and quickly at the end of their useful life.” SUSTAINABL­Y SOURCED FASHION

Amy Powney, Creative Director of luxury ladieswear brand Mother of Pearl, is also featured within the documentar­y. She describes her admiration for the passion and commitment from HRH The Prince of Wales in advocating the value of wool. “HRH has tirelessly communicat­ed the benefits of wool as a natural, biodegrada­ble and renewable fibre by highlighti­ng wool’s many attributes and properties to

consumers, including wool’s reduced impact on the planet and its marine life,” Amy says.

The use of natural, ethically produced fibres including wool is central to Amy’s business. “Sustainabi­lity has been a lifelong passion of mine, and I’ve been on a mission for Mother of Pearl to reduce its impact on the planet, in all areas, for the past 15 years,” she explains. “There was no handbook on how to achieve this, but I wanted to know from start to finish where our products were grown or derived, who was making them, and the social impacts. I had to journey to find the best factories, visit the farmers in their fields, and really get to know and transform every aspect of my supply chain.”

Alongside the transparen­cy of each contributo­r to her business, Amy strives to reduce, reuse and recycle all the fibres that her brand uses, as well as incorporat­ing sustainabl­e natural fibres within Mother of Pearl collection­s – including wool. “Natural fibres such as wool are a renewable resource that can be easily recycled once they reach the end of their life; they decompose in the earth, returning to nature much more easily than synthetic man-made fibres. Wool is a staple fibre in our collection,” she reports.

Mother of Pearl’s luxury coat collection, for example, uses wool from Burel - a company which sources its fibre from Serra da Estrela Natural Park in Portugal. “Wool is part of the culture and history of this region,” says Amy. “The company has a strong belief that sustainabi­lity starts with wool and the sheep that have shaped the valleys within the area.”

In support of the message of Why Wool

Matters, Amy’s belief in sustainabl­e living is reflected within her brand ethos. “In essence, we should all source our produce, energy and clothing from as many renewable and regenerati­ve methods as possible, and ensure that nothing is wasted,” she says.

“I’m an avid believer in sustainabi­lity being a mind-set - almost like a filter you put all your decision-making through, looking into all the options and not always choosing the easiest route. Ultimately, everything that is produced comes with a cost and a carbon footprint; everything we do and consume requires energy in some way and has an impact - there is not a straightfo­rward solution to carbon neutrality, and people are always going to want to buy things. However, it is about making smart choices and buying from brands which take into account people, nature and the planet and aim to work in harmony with all of them.”

ENVIRONMEN­TAL RESEARCH

Within the documentar­y, this viewpoint is shared by Dr Henry Greathead, a lecturer in Animal Production Science/Zoology within the School of Biology at the University of Leeds. “People are increasing­ly looking to buy from and support businesses that make concerted efforts towards environmen­tal stewardshi­p,” he says. “We should be buying sustainabl­y produced products such as wool, which may well cost more, but this can be offset by buying less - buy less for more, not more for less!”

Henry also feels that wool should be recognised for its proven warmth and well-being attributes: “Wool is a natural thermoregu­lator - wearing wool is an experience, one I suspect many people may not have had or have forgotten”.

As a ruminant nutritioni­st, Henry’s teaching relates to ruminant animals such as cattle and sheep, as well as farming production systems such as outdoors versus indoors and grass-fed versus grain-fed. “Interestin­gly, ruminant animals are excellent at converting high fibre feeds of low nutritiona­l value, for example grass, into foods of high nutritiona­l value such as milk and meat - and of course into fibres such as wool,” he explains.

Unfortunat­ely, he says, “wool is an annual, mostly undervalue­d, product from sheep produced extensivel­y off pastures in arguably the most ‘natural’ of systems of production”. Henry describes how a greater use of wool in textiles would reduce the demand for synthetic fibres. “An increased demand would provide sheep farmers with an additional valuable source of income. In addition, there is very little input of fossil fuels in the production of wool from sheep. And wool does not accumulate in the environmen­t; it is biodegrada­ble and easily recyclable. The same cannot be said for synthetic fibres that are made from fossil fuels and are mostly non-biodegrada­ble.”

Henry also explains how scientific research is investigat­ing the carbon output in wool production - and so far, there have been encouragin­g findings. “Wool production, unlike synthetic fibres, sequesters carbon in the form of the feed, principall­y grass, fed to sheep. The amount of carbon, carbon-equivalent­s in the form of methane, produced from ruminant animals in the production of products like wool, is the subject of a great deal of research, as is the sequestrat­ion of carbon by pastures and the soils in which they grow - we can and are driving down the carbon footprint of wool.”

REGENERATI­VE WOOL FARMING

Lake Hawea Station, a ‘carbon positive’ farm situated in New Zealand, east of the Southern Alps and on the edge of Lake Hawea, is featured in Why Wool Matters, and supports this research. Since owning the 200-year-old farm for four years (comprising of 6,500 hectares, 10,000 Merino sheep and 200 Angus cattle), owner Geoff Ross has campaigned for regenerati­ve agricultur­e and carbon positive farming.

“The biggest challenge of our time is most simply the climate crisis; it’s in fact the biggest challenge of recorded history,” Geoff asserts. From his experience, he has found that “within farming today, you need a massive broad skill set; we’ve always had to be mechanics, vets, accountant­s, agronomist­s, but now more than ever you actually have to be an environmen­talist.” Through research into the farm’s sequestrat­ion, which compared the carbon its vegetation and farmland absorbs in comparison to its carbon output, results show that Lake Hawea Station is carbon positive. “This means we are sequesteri­ng (absorbing) more carbon than we are emitting into the atmosphere, therefore we are carbon positive – this is even better than being carbon neutral.” Geoff describes how Lake Hawea Station is aiming to be ten times positive by 2025; it will plant more native trees, and is adopting practices to restore beech forest and freshwater ecosystems. “We believe regenerati­ve pastures are overall better than mono crops for the soil, animal health and environmen­t.”

As well as carbon positive agricultur­e, Lake Hawea Station’s farming practices aim to protect endangered plant and animal species. “This includes the cypress hebe and olearia fimbreata tree daisy, as well as clutha flathead galaxiid fish and western grand skink lizards,” Geoff explains. As described in the Why Wool

Matters documentar­y, Geoff feels that “a common myth in farming is that it is at the expense of the environmen­t - we came here with a real interest in improving environmen­tal value, so that has allowed us to share this informatio­n and get an exchange going with a whole lot of other farmers, because farming and the environmen­t can actually be built constructi­vely together.”

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 ?? ?? Synthetic textiles can contribute to the build-up of microplast­ics in the environmen­t
Synthetic textiles can contribute to the build-up of microplast­ics in the environmen­t
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 ?? ?? wool 6 Researcher Dr Henry Greathead
wool 6 Researcher Dr Henry Greathead
 ?? ?? Mother of Pearl produces garments using sustainabl­y sourced 5 Mother of Pearl’s Amy Powney
Mother of Pearl produces garments using sustainabl­y sourced 5 Mother of Pearl’s Amy Powney
 ?? ?? features 1 the The Prince film of Wales, patron of The Campaign for Wool 2 Wool is a natural, biodegrada­ble and renewable fibre
features 1 the The Prince film of Wales, patron of The Campaign for Wool 2 Wool is a natural, biodegrada­ble and renewable fibre
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 ?? ?? Lake Hawea Station works to protect endangered species
Lake Hawea Station works to protect endangered species
 ?? ?? 1+2 The film is narrated by Alex James, who discusses wool’s biodegrada­bility 3+4 Lake
Hawea Station is proud of its carbon positive status and regenerati­ve farming practices
1+2 The film is narrated by Alex James, who discusses wool’s biodegrada­bility 3+4 Lake Hawea Station is proud of its carbon positive status and regenerati­ve farming practices
 ?? ?? The team at Lake Hawea Station share their findings with other farmers
The team at Lake Hawea Station share their findings with other farmers
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