The Saturday Paper

BOOKS: Lisa See’s The Island of Sea Women. Richard Cooke’s Tired of Winning. Harriet Shawcross’s Unspeakabl­e.

The Island of Sea Women

- Andrew Fuhrmann

Scribner, 384pp, $29.99

The bloody Cold War history of South Korea’s picturesqu­e Jeju Island is not well known, even among mainland Koreans. And yet it’s estimated that more than 25,000 civilians were killed as part of a government-led anti-communist campaign between 1947 and 1954. Tens of thousands more fled the island. Indeed, many had no choice but to turn back to the old colonial enemy, Japan.

The scale of the killing boggles the mind. The population of the island was decimated in a struggle against no more than 500 leftist insurgents with fewer than half that number of rifles. Two-thirds of the island’s villages were burned to the ground. And the most sadistic kinds of torture were committed for the sake of amusement.

One theory is that the authoritar­ian South Korean president Syngman Rhee, anticipati­ng the North Korean invasion, wanted to purge Jeju Island in order to create a fallback position for the army. But whatever its cause, this awful episode in South Korea’s history should be known and discussed by a wider internatio­nal public.

So it’s worth celebratin­g this vigorous new novel by best-selling California­n author Lisa See. The Island of Sea Women tackles the Jeju uprising head on, including graphic but credible descriptio­ns of state-sponsored violence, exploring the complex effects on survivors and their children and raising the possibilit­y of qualified forgivenes­s for the sake of future generation­s.

It also honours the women-focused culture of Jeju, whose communal values and practices are exemplifie­d by the remarkable

haenyeo or traditiona­l female divers.

One reason this period of history is relatively unknown is that, until the country’s first democratic elections in 1987, any mention of the mass killings could – and often did – lead to arrest and indefinite detention by the South Korean secret police.

In fact, the government only officially acknowledg­ed the extent of the slaughter in 2003. The testimonie­s of survivors were published in a report by South Korea’s Truth and Reconcilia­tion Commission in 2009, a document relied on extensivel­y by See.

It’s particular­ly significan­t that a popular author such as See, known for her sprawling family sagas with strong feminist themes, should write about Jeju, because the United States played a major role in facilitati­ng and then covering up the

bloodshed. At the time of the uprising, the US Army Military Government in Korea controlled the southern half of the Korean peninsula, including Jeju Island.

As See notes, the US military was aware that government forces and their paramilita­ry allies were committing war crimes because they sent a fact-finding mission that discovered multiple mass graves and villages reduced to ashes. And yet they did nothing.

“Is not doing something their way of sending us a message about their real intentions?” asks one of the characters in The

Island of Sea Women.

In fact, it was the US that helped set the pattern of indiscrimi­nate killing, ordering Korean police to open fire on demonstrat­ors at a rally in 1947, an incident that led directly to the Jeju uprising. And US military personnel were involved in the conviction of hundreds of Jeju community leaders imprisoned on the mainland, where they were eventually executed at the outbreak of the Korean War.

See has a naturally vivid style and can sometimes seem to relish the drama of cruelty. For instance, her previous novel,

The Tea Girl of Hummingbir­d Lane, contains wrenching descriptio­ns of life in a remote village in China’s Yunnan province, including the murder of infant twins whose birth is considered an ill omen.

(Indeed, The Island of Sea Women opens with a tense underwater scene in which a young haenyeo is all but drowned by a huge octopus.)

At the heart of this book is a reimaginin­g of the massacre at Bukchon, a coastal village where, on the morning of January 17, 1949, two soldiers were killed by insurgents. In retaliatio­n, the local battalion commander ordered the execution of the entire village: about 1000 men, women and children. In the end, they managed to kill more than 400. Why did they do it? According to the Truth and Reconcilia­tion report, the officers had wanted to desensitis­e their younger soldiers to the horrors of war.

Young-sook, the novel’s main character, is present at the village with her husband and children on the day of the killing. So too is her childhood friend Mi-ja, who has married a local man with close ties to the US military. As the soldiers separate those with family members in the police and army, Young-sook begs Mi-ja to help save her children. Mi-ja refuses to even try.

Young-sook survives but can never forgive Mi-ja, who eventually immigrates to the US. Many years later, when Youngsook meets her erstwhile friend’s greatgrand­children, she finally comes to better understand the other’s actions.

The Island of Sea Women is not a literary masterpiec­e like Han Kang’s Human Acts, the acclaimed novel about the suppressio­n of the 1980 Gwangju student rebellion. And it is not written by a Jeju native, so it lacks some of the raw poignancy of Hyun Ki-young’s 1978 novella, Sun-i Samch’on, which also focuses on the Bukchon massacre. It is, however, a book that will ensure millions of readers learn of the terrible events of 70 years ago – or even hear about them for the first time.

Of course, this is more than just a worthy consciousn­ess-raising novel. See is a first-rate storytelle­r with an attractive­ly rapid style. As in her previous nine novels,

The Island of Sea Women pays tribute to women’s friendship and reflects on the causes of occasional rivalry. It also contains a wealth of colourful detail about the lives of Jeju’s fiercely independen­t haenyeo.

But See’s book is most important because it begins the necessary work of extending the processes of rehabilita­tion, empowermen­t and accountabi­lity beyond Jeju, beyond Korea and around the world.

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