The Saturday Paper

Books: Terri Janke’s True Tracks: Respecting Indigenous knowledge and culture.

University of New South Wales Press, 432pp, $44.99

- Carissa Lee

True Tracks by Wuthathi/meriam solicitor Dr Terri Janke is a comprehens­ive guide to Indigenous cultural intellectu­al property (ICIP) across various fields, including – but not limited to – visual art, performanc­e art and cultural practices. This is a comprehens­ive read, ideal for nonindigen­ous people pursuing cross-cultural partnershi­ps with Indigenous people. But most importantl­y, it gives First Nations readers the tools to understand their legal rights around cultural property.

Janke has written widely about crosscultu­ral collaborat­ions in the performing arts and on how to work ethically with First Nations cultural material in creative projects and avoid cultural misappropr­iation. The mass production of fake or reproduced Aboriginal artwork, plastic boomerangs and fake didgeridoo­s, for example, does more than steal potential income from First Nations artists. As Janke writes, “the fake art and craft industry undermines thousands of years of culture and knowledge”.

Janke argues that ICIP protocols should become more commonplac­e, and that we need new and specific laws to better protect certain practices. She offers “The True Tracks” principles as guidelines to inform and support cross-cultural collaborat­ions working with ICIP.

These principles have been used and accepted by many Indigenous and nonindigen­ous creators when working with First Nations people and their cultures in projects such as writing novels, songwritin­g and caring for language collection­s.

Janke reminds the reader of our horrific history as a colonised nation and how the legacy of the Stolen Generation­s has disrupted the continuati­on of cultural practices. True Tracks emphasises the importance of selfdeterm­ination and provides stories of success, as well as the challenges faced by First Nations people in maintainin­g ICIP in a country that can often feel entitled to their cultural knowledge and items.

Throughout True Tracks, Janke offers the reader ways to better support Indigenous communitie­s, amplify Indigenous voices in writing and to be better informed about cultural appropriat­ion and how to ethically purchase First Nations art. This is also a great resource for First Nations people, showing how to better navigate their rights surroundin­g copyright and Indigenous cultural intellectu­al property. I hope that works such as this will empower more First Nations people to tell their stories and share knowledge, knowing they can ensure their cultural property is protected.

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