The Shed

New Zealand photograph­ers on the world stage

New Zealand has been invited to compete in one of the grandest internatio­nal photo contests of the year — Kelly Lynch talks with the woman responsibl­e for selecting our most promising local photograph­ers

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New Zealand has been invited to participat­e in one of the most prestigiou­s, invitation-only photograph­y competitio­ns in the world, with an important visitor from Japan recently travelling to our shores to meet some of the country’s most acclaimed photograph­ers.

Last year D-Photo magazine published a feature on Japan’s first selfprocla­imed ‘photo town’, and the extensive internatio­nal photo festival held there annually. Every August profession­al and amateur photograph­ers flock to Higashikaw­a, located in the centre of Japan’s northern island, Hokkaido, fulfilling the town’s manifest to grow relationsh­ips and culture through photograph­y.

The schedule is loaded with lectures, workshops, high-school photograph­y championsh­ips and exhibition­s, but the festival’s highlight is the presentati­on of the Higashikaw­a Prize awards, followed by a symposium. There are five award categories, four open to Japanese residents and, unique to these awards, an Overseas category in which a selected country is invited to partake.

This year the Higashikaw­a Photo Festival celebrates its 31st year, and for the first time New Zealand has been chosen to participat­e in the overseas category, with one New Zealand photograph­er eventually selected for the prominent award.

Larger countries like the USA and Australia have previously been represente­d, but this year the jury was looking to select a smaller country, one with which they had a connection and could support and grow in partnershi­p. Other countries seriously considered alongside New Zealand were Israel and Norway.

Greatly assisting our relationsh­ip with Higashikaw­a is Julia Durkin, public participat­ion director for the Auckland Festival of Photograph­y. Higashikaw­a is a new partner in the Asia Pacific PhotoForum organizati­on, of which the Auckland Festival of Photograph­y is a founding member, and last year Durkin visited Higashikaw­a’s photo festival to strengthen this new relationsh­ip.

“We’re delighted that in 2015 New Zealand has been selected as the country for the award,” she said.

In January this year curator, photo critic, and director of the Higashikaw­a Award Winners Exhibition, Aki Kusumoto, travelled to New Zealand to meet some of the award finalists and view their work. But prior to leaving Japan, through her research and with assistance from Durkin, she had begun with a list of approximat­ely 30 photograph­ers to consider.

“I tried not to limit the range for my own interest but to search a wide range of photograph­ers actively working in the country, trying to include well-establishe­d photograph­ers as well as those from the younger generation,” Kusumoto explained.

After further research and conversati­ons with people like Athol McCredie, photograph­y curator at Te Papa Museum, she arrived at her shortlist of 10 to 12 New Zealand photograph­ers. While in New Zealand she was able to meet with eight of them: Anne Noble, Anne Shelton, Fiona Pardington, Gavin Hipkins, Shigeyuki Kihara, Yvonne Todd, Mark Adams, and Wayne Barrar. She returned to Japan with a copy of their photo books and catalogues to present to the awards jury of eight members. From all over Japan and from diverse background­s, the jury consists of a unique collection of experts, and amidst the photograph­ers there are designers, art critics, and novelists. They serve on the jury for five years, and Kusumoto said their ideas appeal more to a general audience, not just photograph­ers.

When researchin­g countries to partake in this year’s internatio­nal award category she saw the large difference between photograph­y produced in Australia, New Zealand, and the Pacific and that from Japan, Europe, and other regions was its inclusiven­ess of Maori, Aboriginal, and other indigenous cultures. She sees this of relevance in Hokkaido, where Ainu are the indigenous people.

What impressed her about many New Zealand photograph­ers is how they are taking their theme seriously from their cultural, historical, and geographic­al background­s.

“People have talked a lot about digitaliza­tion of photograph­y since 2000, but now is the time that digital is more common practice, and our thoughts about photograph­y both in digital and analogue are much deeper,” Kusumoto said.

In February the jury panel deliberate­s and decides the winner from each of the five award categories. It is the first time they will view each photograph­er’s work, looking for “visual images that provoke”. The winners will be officially announced in May, and travel to Hokkaido to partake in the photo festival in August. There the New Zealand winner of the Overseas Photograph­er Prize will witness their work occupying one fifth of the festival’s nerve centre, the Higashikaw­a Bunka Gallery, the town’s modern dedicated photograph­y gallery.

Prizes of monetary value up to $11,000 will be gifted to the winning photograph­er in exchange for their original prints, which will be retained by the gallery for future use. The number of photograph­s each winner displays will be dependent on the size and style of their images. Regardless, the work will be in good hands, the gallery has eight staff, a general manager, a curator and two specialist­s caring for photograph­s.

 ??  ?? Aki Kusumoto
Aki Kusumoto

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