The Sunday Telegraph (Sydney) - - NEWS -

I used an ivory raw silk gown, as it has a sim­i­lar ap­pear­ance to the ivory silk taffeta used in Diana’s wed­ding gown. The soft, hour­glass skirt drops from the low point of the waist and in­cor­po­rates

English tulle and crino­line rib­bon pet­ti­coats to build the body of the gown. The bodice has an open boat neck and a sub­tle v-line at the back with pearl but­tons, (also used in Diana’s gown) ex­tend­ing down her back to the end of the 4m-long train. Embroidery is a time­less trend, so I have used a lily of the val­ley de­sign, which rep­re­sents a long love.

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