Total Film

A MILLION LITTLE PIECES

Not-so-beautiful boy…

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CERTIFICAT­E 15 DIRECTOR Sam Taylor-Johnson STARRING Aaron TaylorJohn­son, Billy Bob Thornton SCREENPLAY Sam Taylor-Johnson, Aaron Taylor-Johnson DISTRIBUTO­R Entertainm­ent One RUNNING TIME 112 mins

In their first cinematic collaborat­ion since Nowhere Boy, director Sam Taylor-Johnson and her actorhusba­nd Aaron Taylor-Johnson join forces for this straight-up adaptation of James Frey’s memoir of addiction and rehab. Published in 2003, Frey’s book became a literary scandal when it was revealed that some elements were considerab­ly embellishe­d, but the TaylorJohn­sons, who co-script, take his words as gospel.

Whatever the truth of Frey’s recollecti­ons, there can be no doubting the power of what the Taylor-Johnsons put on screen. This is a full-blooded portrayal, beginning with Frey at rock bottom as he collapses after a crackfuell­ed party session. Bundled on a plane by a doctor – destinatio­n: a Minnesota rehab facility – he wakes up mid-air, immediatel­y stealing a whisky miniature from the hostess trolley, downing it furiously.

Taken to the clinic by his concerned brother (Charlie Hunnam), Frey has no wish to recover and hates the facility’s

12-step programme, showing contempt for others there, including the seen-itall counsellor (Juliette Lewis). His antiauthor­itarian streak leads him to another troubled soul, former teen prostitute Lilly (Odessa Young), though their secret assignatio­ns inevitably lead to more pain.

More volatile than other recent addiction tales (Beautiful Boy, Ben Is Back), this film has a raw energy to it, putting Taylor-Johnson (the director) squarely back on more interestin­g terrain than her 2015 bonk-buster Fifty Shades Of Grey. Featuring fine work from Billy Bob Thornton as a flamboyant addict prone to dispensing pearls of wisdom, and an electric ATJ at his most grizzled, this is the sort of film where you just can’t say no. James Mottram

THE VERDICT

Powered by the magnetic Aaron Taylor-Johnson, it’s rough around the edges, but still intoxicati­ng.

 ??  ?? Above all else, he really regretted the red walls…
Above all else, he really regretted the red walls…

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