Total Guitar

MXR timmy

Meet the accessible version of a cult classic

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We guitarists love a yarn, especially when it comes to tone. Tales of golden-eared wizards crafting away at their breadboard­s in an attempt to create the Holy Grail of guitar sounds, the virtues of which are spread word-of-mouth by players in the know. If you’re destined for it, it’ll find its way to you. But only once you’re ready.

Except the story of Paul Cochrane and the Timmy isn’t a tale. His original late-90s Tim overdrive was well received, but took up too much ’board space. So Paul produced the smaller, four-control version as the Timmy in 2004, helping kickstart the trend for boutique transparen­t overdrives.

But there’s a problem with ‘boutique’; its exclusive nature means that not everyone can get their hands on the product. Enter MXR with mass-production capabiliti­es and global distributi­on chain and now you can get an official, Cochrane-collaborat­ed Timmy for an affordable price from a dealer in your own town!

As with the original, the Timmy’s tone controls act as cuts, rather than boosts. As such they are ‘reversed’: turn them to the left to increase their effect. The bass control comes before the overdrive part of the circuit, so you can reduce the low frequencie­s being fed to the gain. The three-position toggle offers three different levels of clipping, from low gain on the left and maximum on the right.

Sound-wise, there’s a lot of mileage here. From low gain/high output forcing our amp’s preamp to work harder, to thick, harmonic, amp-like drive at higher settings. It’s responsive, too, reacting dynamicall­y to volume changes from our guitar’s controls.

It’s sometimes tough to get excited about yet another overdrive, but this isn’t just any other drive. It’s a modern classic that will serve multiple purposes in your rig.

Stuart Williams

AT A GLANCE

TYPE: Boost/overdrive CONTROLS: Bass, treble, gain, volume, clip toggle switch SOCKETS:

BYPASS:

POWER:

CONTACT:

There are a lot of guitars aimed at metalheads, rockers and shredders, but one name towers above them. After Eddie Van Halen used his Kramer in the video for Jump, there was no other guitar an aspiring rock god could play. Richie Sambora played his Jersey Star every night of Bon Jovi’s Slippery When Wet tour, and our eyes still haven’t recovered from the reflective finish on Andy Timmons’ Pacer. Kramers appeared onstage with Mötley Crüe, Whitesnake, Dokken, Winger and Skid Row, and that was just the beginning. By the late 80s, you couldn’t turn around backstage without getting poked by a Kramer headstock.

Kramer’s return has metal and rock guitarists buzzing. Skid Row’s Dave ‘Snake’ Sabo, L.A. Guns’ Tracii Guns, and Peruvian fretmelter Charlie Parra have all collaborat­ed on new models. The new Kramer range recalls the stadium rock glory days as well as offering high performanc­e modern metal machines. First up, vintage: the ’84, Jersey Star and Nightswan are recreation­s of the guitars that conquered the world’s stages with Van Halen, Bon Jovi and Whitesnake, respective­ly. The finishes, woods, and hardware are all authentic reproducti­ons of the guitars that ruled MTV. The Baretta Vintage and Pacer Vintage are recreation­s of the brand’s

Competitio­n closes best-selling 80s models, complete with genre-defining Seymour Duncan JB pickups and Floyd Rose trems.

Elsewhere, Kramer bring things squarely up to date. The SM-1 offers a modern look and feel for a 24-fret shred machine, with a double cutaway arched top body and metallic finishes. The Assault is one of Kramer’s most popular comeback models, a Floyd Rose-equipped single cut guitar which combines the look and beefiness of a Les Paul with the performanc­e of a superstrat. The Nite V is a bold take on a V shape, available in fixed bridge and locking trem variants sure to satisfy purveyors of the nastiest riffs. They all come with slim necks, flat fingerboar­ds, and big frets that make those outrageous shred licks easy.

Our competitio­n gives you the chance to own a Baretta Vintage. Posters of this legendary rock machine appeared on every aspiring shredder’s bedroom wall in 1985, often held by one Eddie Van Halen (his original 5150 guitar was a Baretta). With just one angled pickup and one volume knob, the Baretta wastes no time on frills while giving everything you need. It has the crucial Floyd Rose 1000-series tremolo, and a 14” radius maple neck for wild string bends with no choking, while the ruby red finish means you’ll stand out on stage whether you’re in the Whisky a Go Go or at Download Festival.

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