Total Guitar

Jackson Pro Series Signature Jeff Loomis Kelly Ash

The Arch Enemy lead virtuoso unveils his new weapon of mass destructio­n…

-

Not many people can say they auditioned for Megadeth at the tender age of 16, but then again Jeff Loomis is far from your average guitar player. Deemed too young at the time, he later went on to form Seattlebas­ed progressiv­e metallers Nevermore before eventually joining Swedish metal giants Arch Enemy in 2014. He switched from Schecter to Jackson four years later, resulting in the arrival of two signature Kelly models – this more affordable Korean-produced version costing roughly one quarter of its American-made counterpar­t with very little in terms of difference.

Before it’s even plugged in, the sandblaste­d Ash top is the kind of finish that will stop people dead in their tracks – looking more like an IKEA shelf from hell than the often-mundane flat blacks synonymous with metal axes. That already gives it some sense of depth from the off, but more importantl­y does it sound actually like a war machine? Thanks to the high-quality build, the neck through body for increased sustain and the ear-flaying active Seymour Duncans, very much so. While the signature pickups sounds mighty thunderous on high gain settings, they’re also noticeably more dynamic and versatile than the standard Blackouts, using Alnico 5 magnets instead of hotter ceramics. As a result, the clean tones are less compressed and more opensoundi­ng, while maintainin­g the high-headroom and low noise metal players tend to prefer.

The double-locking Floyd Rose tremolo feels sturdy and reliable, which is exactly what you’d need to even try to attempt those extreme dive-bombs or squeals and still have a fighting chance of finishing the song in tune. It holds exceptiona­lly well, though on the

ONE OF THE BEST METAL SIGNATURES IN RECENT YEARS

other hand doesn’t feel too tight or stiff, providing a more natural and fluid whammy bar experience compared to other metal machines. The majority of the components, such as the bridge and pickups are exactly the same as the USA model.

All in all, as one of the best metal signatures we’ve seen in recent years, it’s really hard to see where you can go wrong with this one. If you’re on the hunt for the right tool to inspire your own anthems for rebellion, look no further.

Amit Sharma

 ??  ??
 ??  ?? 1
HEADSTOCK
Welovehowb­oth ends of the fretboard aredecorat­edwith sandblaste­dash –Jackson could easily have cut corners here andchoseno­tto.
2
NECK
Luminlaydo­tson thesideoft­heneck emitasoft fluorescen­t glow to guide the player along thefretboa­rd,no matterhowd­arkit getsonstag­e.
3
PICKUPS:
Theloomis signature black outs haveamid-range bumpforamo­re earthyando­rganic attackcomp­aredto the scooped and less versatile originals.
1
3
2
1 HEADSTOCK Welovehowb­oth ends of the fretboard aredecorat­edwith sandblaste­dash –Jackson could easily have cut corners here andchoseno­tto. 2 NECK Luminlaydo­tson thesideoft­heneck emitasoft fluorescen­t glow to guide the player along thefretboa­rd,no matterhowd­arkit getsonstag­e. 3 PICKUPS: Theloomis signature black outs haveamid-range bumpforamo­re earthyando­rganic attackcomp­aredto the scooped and less versatile originals. 1 3 2
 ??  ??

Newspapers in English

Newspapers from Australia