Total Guitar

Neural DSP Quad Cortex

One of the most hotly-anticipate­d floor modelling units is here to make you rethink your rig

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Neural DSP is no stranger to delivering high quality amp modelling, you just need to check out its stellar roster of plugins to see that. So when the Helsinkiba­sed firm showed up to last year’s NAMM with the Quad Cortex floor modeller, you’ll understand we got pretty excited about it, in fact, the whole guitar-playing world seemed to get quite giddy over the prospect. Not just because a revered software company had released its first hardware product, but what lay within its aluminium unibody.

From the off, the Quad Cortex promises unrivaled power in such a small footprint that Neural DSP calls it “the most powerful floor modeller on the planet”, stuffed with 2GHZ of dedicated DSP power straight out of its Quad-core SHARC processor.

All that power doesn’t mean a thing if it can’t deliver sonically and you can be rest assured that it can, in spades. But that’s not all, one of the biggest surprises on using the Quad Cortex for the first time was how intuitive the interface layout is. As soon as we’d plugged in, we were instantly surfing the huge number of presets, cycling through and adding various effects as if we’d been using it for years. With the 7” screen, there is plenty of screen real estate to fit the whole signal chains, without the need for different menus dedicated to just effects, or amp models, etc.

For live performanc­e, there are three main operation modes to the Quad Cortex, you can select either Preset, Stomp, or Scene. Preset mode allows you to use the eight stomp buttons to select one of eight presets per Bank and with the up and down stomp buttons cycle through those Banks, with a total of 32 available, meaning you have 256 presets to play with before you even need to start creating your own. Scene mode allows for eight snapshots of one preset, so you can bypass effects and tweak settings for eight different versions of the same preset, which effectivel­y gives you over 2000 factory presets alone. Stomp mode drills down into a preset even further by allowing you to assign individual effects, amp models, Neural Captures and IRS to one of the eight stomp buttons. Once the individual module is selected then the eight stomp buttons can be used as rotary encoders for settings within that effect - genius!

The architectu­re for each preset is flexible as it comes and allows you to experiment to your heart’s content. The individual models within a preset are laid out in a grid and when building your own, you can build up to four individual signal routings with an amp model, plus effects on each one,

WE’RE CONVINCED THIS IS THE ONE PEDAL TO RULE THEM ALL

routed to one of the four individual outputs. The signal path isn’t linear either, with the option to split/mix the signal at any point.

Quad Cortex’s biggest USP has to be the Neural Capture feature. Powered by AI, capturing your own amps and pedals is blindingly fast, excruciati­ngly simple and above all else, delivers accuracy. The Quad Cortex guides you through the process on screen every step of the way, ensuring the correct connection­s are made and appropriat­e levels are set. Similar to Kemper’s profiling, Neural Capture sends and receives a test tone through the target amp, or overdrive pedal. We tested it on the Orange Dark Terror and were completely stunned at the speed and accuracy with which the Neural Capture was created.

For those still baulking at the price, it is worth considerin­g that this device is able to be updated over time, which further adds to the value. Our initial thoughts were that the unit would be best suited for studio use, but are now convinced this is the One Pedal To Rule Them All. It’s portable, lightweigh­t, rugged enough and perfectly adept for gigging. With an ever-growing collection of user Neural Captures at your disposal, the Quad Cortex experience can only get better.

There are a couple of gripes though. At the time of writing you’re unable to use presets from your desktop Neural DSP plugins, but it is hoped that will be implemente­d in the future, as will the plugins themselves. So any Neural DSP plugins you currently own, should, in theory, be available for the Quad Cortex at no extra cost. There’s currently no desktop app for the Quad Cortex either, which may also be a future feature to arrive via an update. This means that uploading and downloadin­g Captures and Presets can only be done with the aid of the Cortex app.

There is so much to like about the Quad Cortex, and despite the lofty price, it has us looking around at all the now-superfluou­s gear we could put up on ebay to make way for what could be the last all-in-one digital rig we’ll ever need. Although, not before we’ve captured everything first.

Simon Arblaster

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