Total Guitar

3 RHYTHM AND TIMING

Learn these commonplac­e chord progressio­ns and jam night will be easy!

- Master the basics...

Great rhythm playing makes the difference between a good and a great performanc­e – and with gigs looming, it’s a skill you must hone. For most rock and pop it’s more a matter of getting better at the basics (simple rhythms, strumming, and so on) rather than aiming at higher levels of virtuosity. Try our tab exercises and focus on delivering a fluid, even performanc­e.

Alittle knowledge of chord progressio­ns will help you jam along with songs you barely know. We’ll run through some basics in the key of C major here. Try playing the progressio­ns as written in C, then see if you can work out the same sequences in another key, say G or A major. We’ll start with a look at the main chords found in C major. THE SEVEN PRINCIPAL CHORDS OF C MAJOR

1 I-IV-V (C-F-G)

The I-IV-V (one four five) is the undisputed champ of jam night chord progressio­ns. E (E-A-B) and A (A-D-E) are common key signatures. Use dominant 7ths (E7, A7, etc) for a blues or rock ’n’ roll vibe.

2 II-V-I (DM7-G7-CMAJ7)

As heard in jazz standard Autumnleav­es, this progressio­n moves in 4th intervals (D to G is a 4th; G to C is too) often using 7th and 9th chord voicings. You can continue the sequence in 4ths through F, Bdim and so on.

3 VI-V-IV (AM-G-F)

Bob Dylan’s Allalongth­ewatchtowe­r cycles through VI-V-IV-V chords. Dire Straits took a different tack in Sultansofs­wing, following the VI-V-IV with a dominant chord on the III. We’ll save you the theory.

4 V-IV-I (G-F-C)

The verse in GN’R’S Sweet Childo’mine is a classic example of this progressio­n, taking the chords from the key of G major (D-C-G) and using the V chord (D) as the tonal centre.

5 I-V-VI-IV (C-G-AM-F)

Possibly the most used progressio­n in all of rock and pop music, it’s essential knowledge for any musician. Bob Marley’s

Db Gb Nowoman,nocry is in (D -A -B ); more recently Taylor Swift used the progressio­n in C in Champagnep­roblems.

6. I-VI-IV-V (C-AM-F-G)

This variant on the previous progressio­n is often referred to as the 50s progressio­n, thanks to its common usage at the time. Unchainedm­elody by the Righteous Brothers is a classic example.

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