Unique Cars

OUR CARS – TORRENS

GT THE MOVIE STAR

-  WORDS & PHOTOS GLENN LENN TORRENS

NO-ONE TOOK much notice of the two blokes punchingon under the tawdry blue and pink neon lights outside Porky’s strip club in Sydney’s infamous red-light district of Kings Cross. It seemed to be just another typical aftermidni­ght footpath fight, like thousands of other biffos over the decades.

Sitting in my 1980 Volvo 262C coupe, I’d been watching the scuff le but I wasn’t showing any concern either… “Cut!” said a distant voice and the two actors immediatel­y separated. “That was great!” continued the voice.

Next to where the ‘fight’ had been was an XF Falcon with a TAXI sign on top, a ripper Mitsubishi Sigma (a Turbo!), a perfect Datsun Bluebird, an example of Toyota’s last rear-drive Celica, a gorgeous VB Commodore SL sedan and an XB Ford Fairmont. My Volvo and these other 1980s cars were ideal era-correct props for an ABC TV mini-series set in 1985.

It’s about a big red-headed Queensland­er, Les Norton, the main character in a series of books penned by Aussie author, the late, great Robert G Barrett. The popular books about bouncer Les and his nefarious mates are filled with plain and simple larrikin Aussie humour, spiced with a hint of Sydney’s underworld of the 1970s and 80s.

One week later, my brown ’79 VB Commodore wagon – now with temporary TAXI signs – was parked with several other cool cars at the Sydney Cricket Ground. With a few other props scattered around, the Les Norton producers had done quite a convincing job of creating an

airport departure lounge. Mini-series such as Les

Norton – plus TV commercial­s, movies, fashion shoots and soap-operas – need a background of people and cars to create a scene. Over the years I’ve leaned against the wall in the Home & Away diner a few times, worn some hi-vis and a hardhat for a Woolies ad and cheered in a footy promo. Plus, my now-sold red V W Beetle Karmann Cabriolet was a regular in Packed To The Rafters.

Sometime your car will be driven by an actor and the TV producers usually prefer original, clean, unmodified, showroom-spec cars (noisy exhausts and bling wheels are usually a no-go) and will often cover your car’s rego plates with fake ones.

The pay is modest – as is the number of days you can expect to ‘work’ – but in between the sometimes long waits while cameras and actors are positioned, it’s a good fun way to spend the day or night!

Sometimes, too, there is the opportunit­y for some starspotti­ng and name-dropping. So, my dear Unique Cars readers, with Les Norton hitting the small screen about now, you can tell your mates you know the owner of that chop-top Volvo and brown Commodore wagon!

“PRODUCERS HAD DONE A CONVINCING JOB OF CREATING AN AIRPORT DEPARTURE LOUNGE.”

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