Unique Cars

BLACK MAGIC

IT STARTED OFF AS THE ORIGINAL BLANK CANVAS AND IS NOW ONE VERY SLICK MUSCLE CAR

- WORDS  GUY ALLEN  CLIFF CHAMBERS  PHOTOS  ALEX JOVANOVIC

“THE CUDA SERIES WAS ARGUABLY THE PICK OF THE LITTER”

Back in 1973, the whole muscle car race between the big three American makers was just reaching its zenith and, if anything, the competitor­s were just starting to wind back a little. However this is also a period where you get some of the sweetest examples of the breed, and you’d have to say a 1973 Plymouth Cuda is right up there with the best of them.

While everyone tends to think Mustang for this period, then Camaro, the Cuda/Barracuda series was arguably the pick of the litter when it came to looks, with well-proportion­ed and muscular lines. They were the result of work by John Herlitz and Elwood Hengel, under the direction of Dick Macadam. Based on the B platform, the basic lines were introduced in the 1970-71 series and received some relatively minor updates for 1972-74.

The series had an amazing run, starting in 1964 with a two-door coupe that carried strong Valiant lines of the period, through three major generation­s of cars. In its heyday, there were three streams of models: the Barracuda, the Gran Coupe and of course the Cuda, which was the performanc­e ratbag of the family.

In the case of the latter, it would be a mistake to step in thinking you’re going to get a refined driving experience – that’s not the intention. No, what you’re more likely to get is a fair bit of shake rattle and roll, literally, along with a lot of noise. It’s all part of the muscle car ethos.

That said, you’ll find modern builds have tended to smooth out the worst of the rough edges, with additional soundproof­ing, along with refinement­s to the overall handling and braking.

What you see here is as good an example as any. It’s a restomod rather than a factory-correct build. And we’ve got a fair bit of sympathy with that, as there’s an opportunit­y to improve the ability of the car, while keeping the looks

“THE GENERAL EFFECT UNDER THE BONNET IS VERY MUCH MUSCLE CAR”

and much of the feel of the original.

“I’ve been brought up with cars,” explains Theo Totos, owner of the black monster you see here. “My family had classic Chev ys and a few Mopars. My dad had a 1973 Cuda as well, a little rougher than this, and a 1968 Coronet R/T. My uncle has a 1970 Dodge Challenger, as well, and I just loved the Mopars and the E-body shape, from the time I was a kid.

“I came across this car as a project, all stripped out and nothing in it. After a few years of blood, sweat and tears, it’s come to this and I’m very happy.

“It was an original car with matching numbers and a 340 (5.6lt) in the front. The original block had already been bored out to 40 over and there was some wear in the bores, and I was a bit wary of going 60 over. So we put the original aside and found another block and took that out to 416ci (6.8lt).

“It was stroked, has Edelbrock Victor heads, an hydraulic roller cam, Holley 850cfm carby, MSD ignition, TTi headers and twin three-inch pipes, so it sounds pretty good. We were getting 564hp (420kW) on the engine dyno. The engine builders did a really good job.”

It’s been modernised in areas as well, generally to aid reliabilit­y. For example it’s running a big aluminium radiator with twin fans, as the engine develops a fair bit of heat. It’s also scored a remote oil filter as the original wouldn’t fit under the headers. Happily that also makes servicing a little easier.

The general visual effect under the bonnet is still very much seventies muscle car, but with a host of sensible updates.

As you might expect, the transmissi­on is a 727 Torque-Flite series three-speed auto feeding an Eaton Truetrac diff.

It’s rolling on satin finish aftermarke­t rally rims from Wheels Boutique in the USA – 15 x 8 rear and 15 x 7 front. Brakes are power-assisted single-piston slotted discs up front and drum rears.

Suspension got a pretty

“THE EFFECT IS STUNNING WITHOUT BEING OVER THE TOP”

comprehens­ive refresh and upgrade, using a Hotchkis ‘Total Vehicle Suspension’ set-up, incorporat­ing adjustable Fox shock-absorbers

The car is running air-con by Vintage Air, readily available as a kit out of the USA. It looks relatively unobtrusiv­e and Theo says it went in prett y easily. The control panel fits in the standard ventilatio­n panel and you wouldn’t notice it unless you were looking for it. “It was a factor y air-con car and I decided we might as well go all-out. It works like a brand new car.”

YC Customs in Melton (Vic) did the paint and assembly. Theo played ringmaster, making sure the right parts were appearing on time to keep the project going.

Interior trim was sourced as a kit from Legendary Auto Interiors in the USA. In this case they supplied new seat bolsters and covers, and they’re one of several suppliers in the market.

The black paint job is exceptiona­l and, if you look carefully, you’ll spot the subtle matt stripe along the side and 340 logo on the rear fender. As a whole, the effect is stunning without being over-the-top.

What does it drive like? “Really well. It’s very street able, so we take it along to lots of shows and Saturday night drives. It’s a lot of fun.”

What’s next? Theo reckons any new project is a very long way off, but he could see a Road Runner in his future…

(Ed’snote:we’ve beensuppli­ed with a mountain of build shots. Look for the extra feature and gallery on tradeuniqu­ecars.com.au>news& reviews> search for Theo’ s Cud a .)

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 ??  ?? TOP Love that E body shape.
BELOW Interior screams 1970s.
TOP Love that E body shape. BELOW Interior screams 1970s.
 ??  ?? BELOW Cruising in a Cuda on a sunlit evening, ... magic.
BELOW Cruising in a Cuda on a sunlit evening, ... magic.
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 ??  ?? TOP Note the subtle stripe and 340 badge.
BELOW Lots of nice detail to ogle.
TOP Note the subtle stripe and 340 badge. BELOW Lots of nice detail to ogle.

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