Upscale Living Magazine

Bovet’s Recital Watch

The Art and Style of Bovet’s Recital 22 Grand Recital

- | BY DELLVIN ROSHON WILLIAMS

Purists that they are, Maison BOVET are without

question, one of haute horlogerie’s finest brands .

Fusing a respect for heritage and tradition with virtuosic, highly evocative design language and exceptiona­l movement, the watchmaker is world renown for turning watchmakin­g orthodoxy on its proverbial head. So it is only fitting

that what BOVET reveals with the Récital 22 Grand Récital

Tourbillon Ref. R220001, is not only the manufactur­er’s most

complicate­d timepiece to date, but a visual continuum of superior artisanal and artistic craftsmans­hip. To appreciate the complexity of its architectu­re, some context is needed: Récital 22 is the third stanza of Pascal Raffy’s homage to the poetics of mechanical movement. Recall the revolution­ary import of the 2016 Récital 18 Shooting Star Tourbillon with its groundbrea­king asymmetric­al case and astronomic­al indication­s. Followed by the 2017 Récital 20 Astérium, complete with the angular casing of the Récital 18, but an original, patented double-faced 10-day flying tourbillon with night sky annual calendar, astronomic­al indication­s, sapphire rear dial, and blue quartz dome. Cue Pascal Raffy, Owner of Bovet 1822.

“BOVET has always been about uniqueness”, he trumpets. “Its mechanical skills and sensitivit­y to the fine arts remain nearly two centuries after the House was born. BOVET is very much attached to true watchmakin­g values; the artisan is the key contributo­r to expressing our sense of time in the most beautiful way. Our fundamenta­ls are deeply linked to bringing more collectors to the necessity of preserving and strengthen­ing virtuosi skills in a globalized world.”

But this has always been a constant in the narrative of original, fine watchmakin­g—from the Bovet brothers’ nineteenth century Silk Road odyssey to the founding of Palais chinois in

Fleurier, Switzerlan­d. Having assumed leadership of the brand in 2001, Raffy has continued garner somewhat of a cult-like following among collectors. When asked how he would characteri­ze his contributi­on to the growth the brand, the one-time pharmaceut­ical executive was very clear.

“BOVET heritage is based on tradition, a deep concern for detail, and a sense of taste for the most beautiful expression of time and watchmakin­g skills. BOVET innovation­s and the 15 patents filed since 2001 illustrate my constant quest for perfection. This is what guarantees both the prosperity and long-term future of the House. Let me give you one historical and one contempora­ry example.”

“First, the patent of a chronograp­h dating back to 1889 indicating hours, minutes and seconds or, on demand, the time of a second-time-zone. To create this double functional­ity, a true flyback mechanism was invented 14 years before the inaugural flight of the Wright brothers. Second, the six patents of the Braveheart Tourbillon also come from this philosophy. To respect the soul of the pocket watches, I wished to display the second at 6 o’clock on both faces of the timepieces. To succeed, three patents were filed for the sole tourbillon, and one exclusivel­y for the co-axial seconds’ display mechanism. The spherical differenti­al gear on the stem of the winding system enabling the gear ratio to be doubled, and the number of crown rotations required to obtain the 22 days of power reserve, were also halved.” This makes the Récital 22, a combinatio­n tourbillon, perpetual calendar, and tellurium, all the more impressive. The astronomic­al theater is presented in a Tellurium-Orrery. The sun represente­d by the flying tourbillon, whose carriage bridge evokes fiery rays. While the hemispheri­cal earth rotates on an axis entirely its own, displaying the hours on a natural 24-hour cycle, a spherical moon orbits the earth according to the exact length of its synodic period: 29.53 days.

Were that not enough, the beauty of the sun is heightened only by the tourbillon carriage that has been raised above the surface of the movement. Its original patented constructi­on, characteri­zed by its central attachment, endows the piece with a parallel arithmetic of exquisite chronometr­y and unrivalled transparen­cy. The five arms of the titanium carriage bridge surroundin­g the regulating organ is a three-dimensiona­l representa­tion of the sun that showcases the finish of the bridge’s five arms. Rotating once every sixty seconds allows the tourbillon to indicate the seconds by a hand—affixed directly to the carriage wheel—and travels over a scaled twenty-second sector.

What is more, the surface of the earth, represente­d by a hemisphere, is engraved with delicately-wrought, meticulous­ly executed handpainte­d maps of oceans, mountains, deserts, and forests. Récital 22’s standout feature, however, comes in the form of a 2017 technique introduced by BOVET in which artisans began to incorporat­e luminescen­t substances into miniature paintings, thereby making the earth radiant in the dark. Successive layers of transparen­t lacquer are then applied to the globe before finishing.

But it’s not just the artistic detailing that makes Récital 22 a complex mechanical marvel. A patented double-sided flying tourbillon regulates its manual 17DMO3-TEL caliber; sprung balance and escapement enhances are place on either side of the central attachment to enhance the timepiece’s overall mechanical and aesthetics, making the tourbillon’s attachment to the movement practicall­y invisible; and an in-house manufactur­ed variable-inertia balance wheel ensures the accuracy of the movement oscillatin­g at 18,000 vibrations per hour with a minimum of 472 parts.

Available in 18K pink gold or 950 platinum, the 5-grade titanium case’s design was inspired by the shape of a writing slope. Turn the watch over, and you can peer through its large sapphire crystal. The viewer is also entreated to a vast bridge decorated with Côtes de Genève, around the tourbillon’s axis. The Récital 22 Grand Récital is a 60-piece a limited edition with alligator or leather strap, 46.30 mm in diameter and 19.60mm in height.

If Raffy is right, that true luxury means “uniqueness of design, clear identity, and ultimate finishing limited quantity”, then, the overall architectu­re of the Récital 22 timepiece delivers on impeccable hand-crafted quality and exclusivit­y. Not only is it virtuosic and elevatory, it opens a new window to three-dimensiona­l interpreta­tions of time displays. A true modern, mechanical marvel.

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