Vacations & Travel

V&T CREATIVES

A passionate environmen­talist, this Queensland-based photograph­er talks about the creative process behind her evocative work in travel.

- By Katrina Holden

We profile Australian photograph­er, Melissa Findley

Where do you live?

The Gold Coast, Australia. I love waking up and starting my day by the ocean, the national parks, the laid-back culture and hearing the waves crash against the shore as I fall asleep each night.

What are the most memorable locations you’ve worked on?

Nepal, Bhutan, New Zealand and Patagonia have been highlights for me. I am drawn to wide open spaces and the vastness of the mountains.

How would you describe the style of images you capture and what stories do you try and show through your lens?

Travel documentat­ion, looking at vast landscapes. I focus on the environmen­t, the human element and local stories. I attempt to capture the essence of beautiful and indescriba­ble moments, putting them into images to accompany their stories.

When you work with tourism boards and travel brands, how do you inject your personalit­y into the images?

I’m lucky that my clients give me full creative freedom, as I am driven by my emotions and create from that place. My whole heart is on my sleeve in my work.

Could you tell us about your involvemen­t with charity and conservati­on organisati­ons?

My intention has always been to use my work to create good; using my camera as my tool to provoke conversati­on. I photograph the natural world and its beings for a living and want to do all I can to help protect it. I truly believe in kindness and that art can be an incredible thoughtpro­voker. If my photograph­y can bring awareness to that very cause, it’s worth it.

What customer feedback do you receive about your bestsellin­g prints and zines?

The most important feedback I receive is about the ability to move someone with the imagery in my printed work. In a world flooded with so many digital images, hearing the emotion evoked from my body of work is the highest honour.

Secondly, I receive a lot of feedback about the quality of the zines and prints. Supporting small, local Australian businesses and doing what I can to protect the environmen­t are two passions of mine. For that reason, I ensure the process for my zines remains 100 per cent locally made on recycled paper, with environmen­tally friendly vegetable inks and clean green printing processes.

What’s the biggest threat to our planet today as a result of tourism?

I worry about the impact on the environmen­t at popular tourist destinatio­ns as many operators are not equipped to handle an influx of visitors. In addition, our single-use plastic consumptio­n is excessive.

Other simple ideas such as eating a more plant-based diet, pledging to go plasticfre­e, taking all the rubbish with you, and not accepting plastic straws can make a big difference. And there are bigger campaigns to support, such as stopping whaling, protecting our forests and our reef, and defending our wildlife and the beautiful planet we call home.

Every job has its downsides. What are the challenges involved in the work you do?

Photograph­ing this sublime world comes with its own set of challenges. Most of the time as a creative, I find myself very far outside of my comfort zone, pushing for my craft.

There is a lot of sacrifice behind the scenes. Over the years I have struggled to keep a regular routine with the timezone changes, flying weekly and balancing a personal life while living on the road. What people don’t see is the sleeplessn­ess, the anxiety, the incredible amounts of planning and preparatio­n it takes to ensure I’m in the right place at the right time.

It means I may be waking up at 3am, hiking a few hours before sunrise, sleeping in tents in less than ideal conditions, all at the mercy of Mother Nature. Giving up comforts and the convenienc­e of home is a trade-off for the memories I make and the life I live.

How can creative people help educate and inspire travellers about our planet?

There’s a responsibi­lity to have a positive influence, to begin educating and encouragin­g others to educate themselves, to inspire and engage – our actions have tangible outcomes. The threats to our planet’s future are real and immediate. We simply can’t wait for ‘someone else’ to sort it out. It begins with the individual. Never underestim­ate the smallest change and how it can make a big difference.

The threats to our planet’s future are real and immediate. We simply can’t wait for ‘someone else’ to sort it out.

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TOP LEFT: Melissa
Findley in Patagonia, by
William Patino Photograph­y; Ben Lomond Saddle, Otago, New Zealand; Torres del Paine National Park, Chile; Lion in the wild at Madikwe Game Reserve, South Africa; OPPOSITE PAGE, FROM LEFT: By the waterfall in Nightcap National Park, NSW.
ABOVE: Meeting the locals at Champagne Beach, Vanuatu.
OPENING PAGE CLOCKWISE FROM TOP LEFT: Melissa Findley in Patagonia, by William Patino Photograph­y; Ben Lomond Saddle, Otago, New Zealand; Torres del Paine National Park, Chile; Lion in the wild at Madikwe Game Reserve, South Africa; OPPOSITE PAGE, FROM LEFT: By the waterfall in Nightcap National Park, NSW. ABOVE: Meeting the locals at Champagne Beach, Vanuatu.

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