VOGUE Australia

Curated by: Elizabeth von der Goltz; Sticking power; On the job; Light brigade.

We ask the industry’s best to mine their creative imaginings and curate the things that represent their world through style. Elizabeth von der Goltz, global buying director of Net-A-Porter, shares hers.

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“I love the Brazilian mid-century furniture designer Zalszupin; his work in jacaranda wood is so beautiful. I love mid-century furniture as well as Art Deco furniture.”

“[I recently bought] the Attico tiger sequin evening pouch. I love this shape as the new evening bag as you can throw it over your shoulder and have your hands free at any party. It’s very 70s/80s and glams up any outfit.”

and “Egon Schiele has always been one of my favourite artists. I was just in Vienna and was able to see a special exhibition of his at the Belvedere Palace where they also have all the most famous paintings from Gustav Klimt, whom he was a protégé of, and you can really see his influence in his work.”

“Most of the music I listen to is pretty oldschool. I love classic rock, old-school hip-hop and the 80s and 90s … Kendrick Lamar for someone current. He is so talented and I was thrilled he was awarded a Pulitzer for his songwritin­g.”

“From the beachwear to the runway shows [Zimmermann’s] collection­s continue to evolve and our business [with them] has grown exponentia­lly. It’s what every girl wants to wear. The appeal is there for so many different women.”

“Hawaii. A lot of my family members live there and when I grew up my family and I visited every summer. Now when we have family reunions we always spend Christmas there. It’s just so casual and chill – I never have to wear make-up or dress up and it’s all about amazing food and the nature. My family gatherings are all around meals and wine. Then, during the day, we go to the beach or go hiking.”

“Bohemian Rhapsody is the latest film I’ve seen. The portrayal of Freddie Mercury was incredible and the music was so inspiring. The movie’s ending of Queen playing at Wembley Stadium for Live Aid was electrifyi­ng and this was just the movie, not the real thing. I found his life and his bands’ creativity, drive and ambition very inspiring. Of course, the movie shows the downside of fame as well.”

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