VOGUE Living Australia

Growing up gracefully

A new approach to tone and mood infuses the latest project by YSG, a 19th century heritage-listed former corner store in Sydney’s Inner West.

- As told to Verity Magdalino Photograph­ed by Prue Ruscoe Styled by Felicity Ng

Yasmine Ghoniem’s star is in the ascendent. The Sydney-based interior designer and founder of YSG is blowing up the city’s prepondera­nce for safe white-box luxury with her colour-fuelled, experiment­al aesthetic. At the most recent Australian Interior Design Awards the studio was bestowed a holy trinity, taking out prizes for the Best Residentia­l Design, Best Residentia­l Decoration and Best of State, NSW. Her latest production — a two-storey, four-bedroom, heritage-listed sandstone home in Sydney’s Inner West — pares back her trademark maximalism to reveal a more mature but no less boundary-pushing approach. Here, we talk to the refreshing­ly candid Ghoniem about the trials and celebratio­ns of reworking a heritage site into something completely, yet subtly, different.

The owners got in touch with us originally because everyone in the family was using the same bathroom. The household was expanding as their daughters’ partners moved in and one bathroom was getting too much — this had to change. The bathroom was in the centre of the first floor, was very dark, and had no ventilatio­n. We ripped out all the flat plasterboa­rd ceilings and revealed this incredible, tall vaulted ceiling that we later handpainte­d. It felt very natural to us to then re-purpose the space into a light-filled library. This room is still one of my favourite spaces.

The home was originally a store and is heritage-listed. The project started about three-and-a-half years ago. The main thing I wanted to do was to open it up [by knocking down a sandstone wall] so we could create a better connection between the interior spaces. I think if we couldn't achieve that then the project was going to die — it was just pointless. There was a lot of perseveran­ce to get it through council regulation­s but it was almost like, if we didn’t do it, the owners were going to sell the house.

With the main living area now opened up, the family use every single space in the house. The owners’ daughters are at university so there’s always someone studying in the kitchen or down in the living area playing the piano or reading a book. It’s really lovely. There are a lot of sandstone walls and we revealed some and rendered some — I know some people will hate that we’ve done that — but I feel like the sandstone needed to be celebrated in moments and taken away at other times. We replaced all the timber flooring, which we felt was detracting from the sandstone, and installed these beautiful sandblaste­d, travertine pavers with a gorgeous fat grout line, which felt more European. It was a bit of an unknown move at the time as it could’ve felt quite hectic in terms of combining travertine with the texture of sandstone but I think it works quite beautifull­y. There was so much brown everywhere before, which made it feel so dark and we had to lighten it up. ››

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 ??  ?? THIS PAGE the former 19th-century corner store exterior of the home. OPPOSITE PAGE in a corner of the main living area, Reeno mini benches from Grazia&Co upholstere­d in Pierre Frey Opio mohair and alpaca bouclé wool; custom dining table designed by YSG in silver travertine from Mediterran­ean Marble; Louise Roe Balloon vase 01 from Spence & Lyda; antique Scottish plate from Chee Soon & Fitzgerald; Suvira McDonald bowl from The DEA Store (on top shelf, from left); artwork by Michelle Connolly from Spence & Lyda; DCW Editions Boucle lamp by Éric De Dormaël from Spence & Lyda (on second shelf, from left); vintage vessel from Rudi Rocket; Celeste vessel by Stephanie Phillips from The DEA Store; Wobbly bowl by Felicity Ng (on third shelf, from left); antique Japanese plate from Chee Soon & Fitzgerald; Rhodonite sculpture by Bettina Willner from Saint Cloche; antique Japanese vase from Chee Soon & Fitzgerald (on bottom shelf, from left); Halimeda 2041 vase by Mel Lumb from Saint Cloche.
THIS PAGE the former 19th-century corner store exterior of the home. OPPOSITE PAGE in a corner of the main living area, Reeno mini benches from Grazia&Co upholstere­d in Pierre Frey Opio mohair and alpaca bouclé wool; custom dining table designed by YSG in silver travertine from Mediterran­ean Marble; Louise Roe Balloon vase 01 from Spence & Lyda; antique Scottish plate from Chee Soon & Fitzgerald; Suvira McDonald bowl from The DEA Store (on top shelf, from left); artwork by Michelle Connolly from Spence & Lyda; DCW Editions Boucle lamp by Éric De Dormaël from Spence & Lyda (on second shelf, from left); vintage vessel from Rudi Rocket; Celeste vessel by Stephanie Phillips from The DEA Store; Wobbly bowl by Felicity Ng (on third shelf, from left); antique Japanese plate from Chee Soon & Fitzgerald; Rhodonite sculpture by Bettina Willner from Saint Cloche; antique Japanese vase from Chee Soon & Fitzgerald (on bottom shelf, from left); Halimeda 2041 vase by Mel Lumb from Saint Cloche.

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