DAVID ALLFREY
The 60-year-old former British Army officer is the producer and chief executive of the Royal Edinburgh Military Tattoo (REMT). Brigadier Allfrey discusses the spectacular’s latest tour (starts Thu., Oct. 17 at ANZ Stadium, Sydney).
Are there any similarities between your military career and producing the REMT?
My time in command at various levels prepared me well for complex and synchronised activity and logistics. And the Tattoo is exactly that – it’s a substantial production with a cast of 11001500, and many creative and technology layers. A military life offers unparalleled development in team-working and leadership.
What can people expect from this year’s show? The show in Sydney will be the largest we have ever staged, at home or abroad. The cast of more than 1500 are drawn from more than 14 countries – including, of course, Australia. The programme is astonishing. The audience should go home feeling a bit proud of who they are. What is the hardest part about working with such a huge number of people?
Our way of working relies on a very tight ‘passage of information’ with ideas and detailed instructions passing down to each performer, whether they be military or civilian. There is a certain amount of pressure on the production mangers and leaders. What are you looking forward to about coming to Australia?
I first came to Australia in 1977 and had a huge year-long adventure. I travelled with a friend through the interior in a panel van. Throughout my travels and during my work we were always greeted with hospitality and real warmth. So I am looking forward most to more time with Australians.