WHO

ROCKET MAN Iconic shots of Elton John

In a new book, legendary celebrity photograph­er Terry O’Neill celebrates Elton John’s life

- By Emma ■ Babbington

As one of the most important celebrity photograph­ers of his generation, Terry O’Neill has documented the lives of rock stars, actors and royals since the 1960s. Elton John, The Definitive Portrait, with Unseen Images, is a pictorial biography of the legendary pop star and includes some of O’Neill’s most famous images of the singer as well as previously unpublishe­d photograph­s; from publicity shots to his life on stage, as well as more intimate, behind the scenes pictures.

In the following extract, the 81-year-old London-born photograph­er reveals how he first met and photograph­ed John at his London home in 1972.

A date and time were arranged for me to take some photograph­s, and I made my way over to see him. I didn’t know what to expect, but I found an absolutely charming young man wearing rock-star glasses. He was a bit shy, though. I could tell that he wasn’t necessaril­y all that comfortabl­e with me taking some straightfo­rward shots, so we went to a rehearsal studio nearby, where he changed into a stage outfit and started to play the piano. And, I mean, he was not only playing, but also doing his best Jerry Lee Lewis jumping-handstand leap. On my way out, he gave me a cassette tape of what he was working on. It was labelled ‘17-11-70’ and it was sensationa­l. He was going to be the guy who resuscitat­ed pop music, for sure.

In the beginning, I needed to understand how best to work with the star and make him comfortabl­e enough so we could get the photos we needed. I figured out quickly that the trick was to create a shot list of what I thought we’d be able to do and then just walk him through it as quickly as possible. Sometimes, we’d just get lost in his house. It’s often true that the bigger the star, the bigger the collection, and Elton was a bit of a shopaholic. He had thousands of records, and his closets were bursting with shoes, scarves and outfits – all the accessorie­s a flamboyant star could wish for. And while some of the clothes were not my style, anyone could immediatel­y see that he had great taste – in everything.

I was allowed unpreceden­ted access to Elton’s life and work from the very beginning

“He’s a genius, an enigma, a star”

— Terry O’Neill

– in the recording studio, portrait studio, at home and at play, onstage and off. My relationsh­ip with him for more than 45 years now has been one of the most rewarding friendship­s in my life, and he has always been kind. I must have thousands of photos of the man in my archive and when you start looking at them, it’s like witnessing the visual evolution of a superstar. He’s a genius, an enigma, a star and one of the kindest, most compassion­ate people – both in public and private.

 ??  ?? On tour in the US in 1974, Elton chartered the Starship, which had been previously used by bands such as Led Zeppelin.
On tour in the US in 1974, Elton chartered the Starship, which had been previously used by bands such as Led Zeppelin.
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 ??  ?? In 1988, John decided to auction off many of his famous costumes at Sotheby’s. John performed two sold-out performanc­es at Dodger Stadium in Los Angeles on Oct. 25 and 26, 1975.
In 1988, John decided to auction off many of his famous costumes at Sotheby’s. John performed two sold-out performanc­es at Dodger Stadium in Los Angeles on Oct. 25 and 26, 1975.
 ??  ?? Posing for O’Neill in the mid ’80s.
Posing for O’Neill in the mid ’80s.

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