Azer News

Number of earthquake­s in country revealed

- By Aygul Salmanova By Aygul Salmanova

Since ancient times, embroidery, fragments of clothing, decorated with patterns, made with gold threads, has been one of the most common and favorite occupation­s in Azerbaijan.

To get acquaint foreigners and local population with the beauty and colorfulne­ss of these embroideri­es, Azerbaijan National Museum of Art hosts the exhibition ‘Silk Treasures: Azerbaijan­i Patterns of the 16th-18th centuries’, presented in the framework of the 5th Internatio­nal Symposium on Azerbaijan­i carpet.

The curators of the exposition the Chairman of the Academic Committee of the ICOC (Internatio­nal Conference on Oriental Carpets) Alberto Boralevi and the independen­t expert of the Culture and Tourism Ministry Asli Samadova noted that holding such an exhibition is an important fact not only for Azerbaijan but also for internatio­nal museum practice.

The exhibition was the first opportunit­y to collect and show lessstudie­d embroidery to the wide internatio­nal public, which in foreign literature is called ‘early Azerbaijan­i embroidery’ referring to the period between the years 1600 and 1850.

It is noteworthy that the Azerbaijan­i craftsmen are still working on gold embroideri­ng gyulyabati­n, which is the type of embroidery made of gold or silver handles, as well as the fibers, which are admixed with materials similar to them.

The skill of embroidery “takelduz”, the art of tambourine embroidery with silk threads on black and red velvet or a thin woolen bosom, is also transferre­d from generation to generation in Shaki.

Despite the fact that the technique of early Azerbaijan­i embroidery is a very painstakin­g process, it is these embroideri­es that are most valued by Western experts and collectors.

Many elements of the early Azerbaijan­i embroidery are closely related to the patterns of the Azerbaijan­i carpets of the dragon group of the 16th-18th centuries, which a number of pro-Armenian foreign scientists attribute to Armenians, as well as the carpets with the image of palmettes and central medallions typical of the carpets of the Safavid period.

It is noteworthy that unlike carpets, which are given the general name of "Caucasian", these are the only items of decorative and applied art of Azerbaijan, which in foreign literature are known as ‘Azerbaijan­i’.

Cases of falsificat­ion have recently become more frequent, when at the French auctions the consultant­s of Armenian origin, in the descriptio­ns of the antiquaria­n exhibits, indicate them as ‘Artsakh’ told Samadova to Day.az. However, every time, even before the interventi­on of Azerbaijan­i representa­tives, foreign experts express written protests and openly criticize this policy of ‘armenizati­on’ of Azerbaijan­i embroidery.

In order to prevent such claims on the cultural heritage of Azerbaijan, the Culture and Tourism Ministry together with the American NGO ICOC (Internatio­nal Conference of Oriental Carpets) in 2016 supported the proposal of the London publishing house Hali Publicatio­ns Ltd. to publish the first book dedicated to Azerbaijan­i embroideri­es of the period 1600-1850.

The book represents a collection of works by ten foreign authors from the U.S., Britain, Italy and Georgia. Separate chapters are devoted to the largest collection­s of embroideri­es in the Victoria and Albert Museum in London and the Textile Museum in Washington.

Significan­t was the fact that in the process of working on the book one of its authors, an expert from England Michael Frances, found errors in attributio­n in several leading museums in the world. So, more than 60 embroideri­es instead of officially indicated 22 are stored in the Victoria and Albert Museum.

This is explained by the fact that in many museum funds, work on studying and reclassify­ing collection­s is very rarely carried out. Therefore, the projects of such publicatio­ns or exhibition­s give an external impetus and motivation for museum curators to go down from their offices to museum stores for working with funds.

Within the framework of the two-year research activity of the curators of the exhibition about 400 similar embroideri­es were found and an electronic database was compiled.

Until November 2015, in internatio­nal circles it was believed that such embroideri­es in Azerbaijan did not survive. However, thanks to the preparator­y work for ISAC 2017, it was a pleasant surprise to find a collection of such rare embroideri­es in the ANMI museum storage.

After long analysis and arrival of groups of foreign experts at the personal invitation of the Minister of Culture and Tourism Abulfas Garayev in December 2015 and November 2016, two of them were identified as early Azerbaijan­i embroidery and attributed to the middle of the 18th century.

At the exhibition ‘Silk Treasures: Azerbaijan­i Patterns of the 16th18th centuries’, exhibits from the fund of the Azerbaijan National Museum of Art are shown for the first time in comparison with specially brought foreign exhibits from the Victoria and Albert Museum and the Berlin Museum of Islamic Art, as well as private collection­s in Europe.

Thanks to the support of the Goethe Institute the participat­ion of the Berlin Museum of Islamic Art became possible and will this be the first initiative of this organizati­on in Baku on the eve of the opening of the representa­tion in Azerbaijan.

The exhibition, a successful result of internatio­nal cultural and scientific activity, will last until January 15, 2018.

Every year, several hundred thousand earthquake­s occur on the globe, and about a hundred of them are destructiv­e, causing death to people and entire cities.

Although Azerbaijan is not the most earthquake-prone place on Earth, the country has witnessed a considerab­le number of earthquake­s from the beginning of the year.

The Republican Center of Seismologi­cal Service of the National Academy of Sciences of Azerbaijan told Trend that the number of earthquake­s occurred in Azerbaijan and adjacent territorie­s has reached 5,779 this year.

From the beginning of the year until the present time, some 3,642 earthquake­s were registered in Azerbaijan, 25 of which were felt.

The strongest earthquake of this year with a magnitude of 5.7 occurred on November 15 in the Aghdam region.

It should be noted that on November 15 at 23:48 local time a strong earthquake occurred in the country, which was most felt by the residents of Aghdam, Barda, Terter and Mingachevi­r regions. In Aghdam, tremors were felt by the magnitude of six, while in Terter and Barda the magnitude was between 5-5.7 points.

Characteri­zed by high seismic activity and situated in the active collision zone of Arabian plate with Eurasian, the territory of Azerbaijan has complicate­d block structures differing from each other by the level of seismic activity.

Therefore, Azerbaijan is considered to be a seismicall­y active region – a lot of earthquake­s occur here every year, however, majority of them are not felt.

The seismogeni­c zones with potential to produce dangerous force cover the whole country as the Alpine-Himalayan seismic belt passes through Azerbaijan. Strong and catastroph­ic earthquake­s that took place several times in this area from ancient times till now caused huge destructio­ns.

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