Azer News

Keygubad Mosque: Lost artifact of early architectu­re

- By Vugar Khalilov

What distinguis­hes Baku from Azerbaijan’s other ancient cities is its establishm­ent as a religious center and a holy city since its foundation. The area surrounded by the fortress wall of the not-so-big Old City is abundant with religious architectu­ral monuments mosques, and tombs, as well as traces of churches and fireworshi­pping temples that attract attention.

The site has been a meeting place for different religions throughout history. Well-known as the Land of Fire, Baku is famous for its fire temples built on natural gas sources, which made it a sacred religious hub for fire worshipers from different parts of the world.

Starting from the early VII century, Islam rapidly spread in many Azerbaijan­i cities, including Baku, a significan­t venue for fire worshipers, where mosques were traditiona­lly erected on the remains of ancient temples.

The historical-architectu­ral monuments reflecting the religious life of the Old City once had a significan­t impact on social developmen­t. Thus, mosques significan­tly contribute­d to the advancemen­t of science and education during the Middle Ages in Azerbaijan.

There are several historical architectu­ral ruins across the Shirvansha­hs Palace Complex in the Old City, one of the finest examples of Azerbaijan's medieval architectu­re and the residence of the Shirvan rulers.

The Shirvansha­hs' realm, the largest feudal monarchy in northeast Azerbaijan, ruled from IX to XVI centuries. The powerful and erudite rulers, such as Akhsitan, Fariburz, Sheikh Ibrahim, and Khalilulla­h were not only skilled warriors and diplomats but also patrons of the arts, particular­ly architectu­re. As a result, Baku, the state's new capital after the Shamakhi earthquake of 1192, gained fame for its architectu­re.

The Keygubad Mosque, a mosque-madrasa that is a component of the Shirvansha­hs royal complex, is located next to philosophe­r Seyid Yahya Bakuvi's (1410-1462) tomb. There was a small corridor in the mosque, in front of the rectangula­r prayer hall, and the tomb was situated in the southernmo­st section of the building. Some historians claim that I Keygubad ibn II Farrukhzad, one of Shirvan's well-known kings, who ruled the country from 1317 to 1348, ordered the constructi­on of the mosquemadr­asa.

Those who had visited the mosque described it as a square in design with four columns supporting the dome. The main arch and the other arches were connected. There is disagreeme­nt on the building's exact constructi­on date and purpose. The mosque, according to some researcher­s, was erected over the remains of an earlier structure.

Historians claim that philosophe­r Seyid Yahya Bakuvi taught the Shirvansha­h family's children at this mosque-madrasa. The mosque was burned down and destroyed on March 31, 1918, during the genocide of Azerbaijan­is by barbaric Armenians. The mosque was only partially repaired in 2005, based on the measuremen­ts recorded by the architect Ismayil Bay Nabioglu before the fire (1918-1920).

In his book, entitled "Icharishah­ar," Kamil Farhadoglu claims that the Keygubad mosque was a mosque-madrasa structure close to the Darvish tomb. Abbasgulu Aga Bakikhanov (1794-1847), on the other hand, stated of Bakuvi's teaching and worship at the mosque: "The cell where he worshipped, the school where he worked, and his grave are there in the mosque."

The mosque had a tiny passageway in front of the rectangula­r prayer hall. Four columns supported the dome in the middle of the room. The vestibule linked the gateway to the mosque's rectangula­r floor layout. On the southern wall of the prayer hall, there was a mihrab (niche) next to the mausoleum's entrance.

The corners of the hall's columns were converted into tiny, enclosed chambers with clapboards covering their tops, and the inside had a cruciformd­omed structure.

The mosque's volume-spatial compositio­n, which is linked to Seyid Yahya Bakuvi's tomb, acquired a special plasticity of forms thanks to the architectu­ral interpreta­tion of the distinctiv­e order, providing the columns with a unique character. This is especially evident through the precision of geometric lines and architectu­ral elements.

It is impossible to determine whether the mosque or the tomb was constructe­d first, neverthele­ss, it is clear that there is no natural connection between the structures. Even if the exact date of the transforma­tion is unknown, it is obvious that one of these buildings was attached to the other one.

The middle courtyard, which includes the tomb and the Keygubad mosque, occupies a neutral space in the Shirvansha­hs' royal complex and serves to prepare visitors for their encounter with the Shirvansha­hs mausoleum, the Shah Mosque, and the Palace bath located in the lower courtyard.

Currently, only the remains of the foundation and a few arches have survived from the Keygubad Mosque in the southern part of the lower courtyard of the Shirvansha­hs Palace.

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