The MOST

LIMOGES TIGERS

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For the first time in the history of the famous French porcelain manufactor­y Bernardaud, the brand has released a collaborat­ion with an Azerbaijan­i artist. Farhad Farzali, a 34-year-old artist from Baku, created sketches for the limited Tiger Collection released exclusivel­y for Azerbaijan. The creative alliance between the Azerbaijan­i artist and the French brand was formed thanks to the active participat­ion of Italdizain Group. The company initiated a joint project between Farhad and the famous Limoges manufactor­y, whose interests it represents in Azerbaijan. On the occasion of the release of the collection, The M.O.S.T. magazine’s editorial staff talked with Chairman and CEO of the Bernardaud manufactor­y, Mr. Michel Bernardaud, as well as with

the creator of drawings for the collection, artist Farhad Farzali.

The M.O.S.T.: Various European manufactur­es like the Hungarian porcelain factory Herend and the Czech crystal manufactur­e Moser have created exclusive collection­s for Azerbaijan in the past. However, for the first time in history, such a collaborat­ion is taking place in partnershi­p with Bernardaud. Could you please tell us how this project originated?

Michel Bernardaud: We operate in the Azerbaijan­i market through our historical partner, Italdizain, which has a strong vision on the art scene in Azerbaijan and is used setting up meaningful collaborat­ion between brands and local artists. Italdizain met the artist in 2022, when Farhad Farzali acted as an art consultant for a theatrical performanc­e based on the folk tale “Seven Branches of the Pomegranat­e Tree,” carried out with the support of one of the company’s brands. The collaborat­ion turned out to be successful, giving Italdizain the idea to collaborat­e with the artist on a porcelain project. They came to us and asked if we were interested, as they knew we have a long tradition of working with contempora­ry artists.

The M.O.S.T.: Were there any challenges that you had to overcome during the collaborat­ive process?

Michel Bernardaud: The challenge to overcome when working with artists involves being as faithful as possible to their design and responding to their requiremen­ts. In this case, of course, respecting the strong colors of Farhad Farzali was crucial. The perfect reproducti­on of the tiger artwork required the applicatio­n of special techniques, and we are proud of the final rendering, which matches elegantly with the original painting.

The M.O.S.T.: What was your first impression of the idea of collaborat­ing with Bernardaud, and what inspired you to participat­e in this project?

Farhad Farzali: I immediatel­y found the idea of collaborat­ing with Bernardaud to be exciting and inspiring. This project represente­d a unique opportunit­y to combine Eastern cultural symbols with the Western tradition of porcelain art. As for the inspiratio­n, that derived from my childhood memories of stuffed tigers, and the strength and independen­ce they symbolized; that fueled my desire to revive this image in a contempora­ry context.

The M.O.S.T.: Why did you choose the tiger as the main representa­tive of this collaborat­ion?

Farhad Farzali: The tiger was chosen as the main character due to its deep symbolic meaning in Eastern culture, as well as my personal relationsh­ip with the animal. It symbolizes strength, nobility, and vitality, which aligned perfectly with the goals of this project.

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