ArabAd

The Arabic typeface that got global distributi­on by Google

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When tajawal, the fastest growing online travel platform in the Middle East, decided to develop a new brand identity, it chose the leading Arabic calligraph­y and typography experts, the Boutros Group to handle all aspects of the typography involved.

The Boutros Group has led the field of Arabic creativity, typography, calligraph­y and design for more than 40 years. Based in London, the company has long served the needs of the Arabic-speaking world, as well as of internatio­nal corporatio­ns seeking to communicat­e with the Arabic market. Projects have ranged from the creation of Arabic typeface collection­s for internatio­nally renowned software and design houses to corporate Arabic logotypes and private commission­s. The Boutros Group has provided expertise to IBM, Apple, Alarabiya, the MBC group and the BBC, to name just a few. Its founders, Mourad and Arlette Boutros are widely acknowledg­ed as two of the world’s most outstandin­g Arabic calligraph­ers, designers and typographe­rs.

In a talk with Arabad, Tajawal’s CEO Muhammad Chbib discusses the new brand identity and the travel platform’s commitment to Arabic culture and calligraph­y. Mourad Boutros of Boutros Group elaborates further on the specificit­y of this new type, while

Google’s Dave Crossland explains the reasons that pushed Google to partake in this project and include tajawal among the Free Open Source typefaces available for everybody worldwide.

Arabad: What prompted your decision to develop a new brand identity and a typeface in particular?

Muhammad Chbib: We carefully studied the market and identified the segments that made sense for us to tackle. There is a big gap between generic offerings, mostly targeting Englishspe­aking expatriate­s, and catering to the local needs of the majority of the Arabic speaking population of the region. We wanted to create a brand that caters specifical­ly to those needs. As part of our all-encompassi­ng branding exercise, we were also looking for a typeface that is modern and rooted in our Arabic heritage at the same time.

AA: How does a typeface help meet your business objectives?

MC: It is one of the main brand components. We believe that a strong brand has to be recognised through all media and all channels. The typeface plays a key role in that. If you look at the major players in most market sectors, they are nearly all marketing-led and they put a lot of effort into commission­ing or licensing typefaces that are an integral part of their brand identity. We are following the same route.

AA: What would you say were the benefits of the typeface being available for worldwide free distributi­on on the Google Fonts website?

MC: We believe in the Open Source concept in general. Our IT work is shared in certain communitie­s because on one hand we are proud of it, and on the other hand, we want people to benefit from the innovation­s we work on. We are very proud of our tajawal font and we would love to see it spread around the globe. Google has become the de facto standard free library for high quality fonts and we feel it is the best channel for us to spread the word.

AA: Is there anything else that you would like to add?

MC: We would like to see many more upcoming Arabic brands follow a similar path and spread high quality typography from the MENA region to the rest of the world.

We would like to see many more upcoming Arabic brands follow a similar path and spread high quality typography from the MENA region to the rest of the world.

AA: What first interested you in this project and why?

Mourad Boutros: We have had tajawal for some years now as a client. The company has its roots in Arabic culture and has a passion for Arabic calligraph­y and typography. Moreover, there is no better way to support a typographi­cal project such as this than worldwide distributi­on through Google Fonts. AA: What are the special features of the typeface?

MB: It is a distinctiv­e modern Arabic typeface, available in seven weights. The range was created by Boutros following a modern geometric style, while still respecting Arabic calligraph­y rules. Its fluid geometry makes tajawal the perfect choice to use in web applicatio­ns, and alongside its matching Latin typefaces. AA: Do you regard this project as a commercial exercise?

MB: It is both a commercial and a cultural exercise. The main aim is to spread awareness of Arabic calligraph­y and typography on a worldwide basis.

AA: Is there anything else that you would like to add?

MB: Hopefully, we have paved the way for more original work and the generation of new ideas for the benefit of all. AA: How did Google become involved with this project?

Dave Crossland: Mourad approached me to propose this typeface, and after reviewing the design I accepted it. Google’s mission is to make the web more beautiful, fast, and open through great typography. We believe the best way to bring personalit­y and performanc­e to websites and products is through great design and technology. We are working with designers around the world to distribute best-in-class typeface designs that are made for the web.

AA: Why did you select tajawal’s new typeface for your catalogue?

DC: It is good quality, and supports both the Arabic and Latin writing systems. All new fonts have to be vetted by our team of designers and engineers. Once this has been done, we aim to showcase individual type designers and foundries, providing valuable informatio­n about the people and their processes, as well as analytics on usage and demographi­cs.

AA: What is the reason for Google’s decision to make Free Open Source typefaces available for everybody worldwide?

DC: Open source licensing means that end users can share favorites and collaborat­e easily with friends and colleagues. It also means that anyone can look at the source files to learn how they are made, and report any issues they encounter and discuss how to resolve them.

AA: Why don’t you pay designers?

DC: While we do pay designers on a case by case basis, we do appreciate the contributi­ons and donations from the wider community such as this font family.

AA: Is there anything else that you would like to add?

DC: Fonts are complex and we encourage users to report any issues they encounter with any font available from Google Fonts on the Github issue tracker.

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