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Wendy Clark: ‘The Art of War is my manual’

The world's most influentia­l ad-people on... their lessons that will make your life and career.

- By Gijs de Swarte

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Against the advice of most people around her Coca-cola’s top marketer Wendy Clark moved to the advertisin­g world. Subsequent­ly the now CEO of DDB North America was chosen Executive of the Year by Adage.

‘Clients want more speed, more efficiency and better work every year. As an agency you have people, ideas and what I’ll call ‘the product’ in the absence of a better term. My policy, which received all the praise when I was chosen Executive of the Year is aimed at matching those ingredient­s in such a way that they contribute optimally to meeting the needs of the client. We are now working with teams that include people from DDB and from all possible organizati­ons that can contribute. The Mcdonald’s account for example is staffed within our offices by people from DDB, Mcdonald’s, and also from Facebook and Google. To involve external experts to such extent was until recently, rarely or never done.’

The Art of War

‘Making something like this into policy is essentiall­y creative. Creativity always starts with general questions like, could that be a good idea? And I have had two basic principles for that. One, my mother always said, ‘You have two ears and one mouth. Use it in the ratio in which you received it.’ So listen more, talk less. - Two, I almost literally live with The Art of War - written around 500 BC by Chinese general Sunzi. It states that every decision must meet the following criteria - is it wise, credible and reliable, it is benevolent, that is to say, did you take the people involved into account - and it is brave and discipline­d?

In my career that guideline has so far worked out pretty well, but its value is at least as well demonstrat­ed by my mistakes. And I like to share those because we can all learn from mistakes.’

Mistakes

‘Before I started working at Cocacola, I worked at the telephone giant AT&T. At the time, Nokia was asking whether a mobile phone with a camera would be a good idea. My contributi­on then, you have to be crazy to start something that absurd. I think here the factor ‘wise’ from the Sunzi-list was somewhat lacking.

‘Another example, at Coca-cola I very much pushed a strategica­lly farreachin­g campaign. We were going to approach a specific target group very differentl­y. Fell completely dead in the market and was criticized from all sides by the trade press. The mistake was - I had to admit to myself later on - that I was not sure about all the Sunzi criteria and therefore I had put extra effort into bravery. Being brave to be brave. One more, at one point the mobile phone company Cingular Wireless and AT&T merged. The color of Cingular was orange, AT&T had blue. My idea, get rid of the orange, it’s old now... Until tests showed that orange especially was very very popular. I had not taken the preference­s of the people, the real users into account enough. And I did not use my ears well enough.’

Neck-deep

‘When I was thinking of switching to DDB I used those experience­s. Yes, it did meet the Sunzi criteria, but, as my mother advised, I listened carefully and all I heard around me was a fairly clear warning: don’t do it. You have a top job at Coca-cola, one of the global brands; why would you want to leave that? But I thought the well-known road almost never leads to full creative potential. Standing neck-deep in the water often does. Most of us need a challengin­g situation that demands forward action. And so do I. That is one of the most important lessons I have learned - not from Sunzi but from my own experience.’

The well-known road almost never leads to full creative potential. Standing neck-deep in the water often does. Most of us need a challengin­g situation that demands forward action. And so do I. ,

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 ??  ?? :HQG\ &ODUN CEO, DDB Worldwide, North America
:HQG\ &ODUN CEO, DDB Worldwide, North America

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