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Industry Talk

ONE OF THE MOST DEMANDING POSITIONS IN ADVERTISIN­G REQUIRES A BLEND OF ATTENTION TO DETAIL, AUTHORITY, BUSINESS FLAIR, PEOPLE SKILLS, FLEXIBILIT­Y AND  YES  A LOVE OF CREATIVITY.

- BY THEDA BRADDOCK

Wining and dining, champagne, swanky business trips. That’s how Mad Men portrayed the daily life of account people. But what does it really mean to be the interface between the agency and the client, making sure everyone’s needs are met? And how do you get good at it?

ROLE OF THE ACCOUNT DIRECTOR/ACCOUNT MANAGER TODAY

Champagne may still figure in, but it’s a demanding position. Jeanbaptis­te Destabeau at Sid Lee Paris explains that “the account director has a dual role. His chief responsibi­lity is to be the link between the agency and senior clients... He’s there to put in place a vision on the different accounts in his portfolio, to ensure everything goes well on the different projects, and to develop clients. Within the agency, the account director works with a team of account managers and sets the rhythm. He’s in charge of managing projects and ensuring deadlines and budgets are respected. For that he solicits agency resources (planners, creatives, producers) and checks in with operationa­l teams on a daily basis until a project is delivered. An orchestra conductor, if you will.” Chioma Aduba, Executive Account Director at Mccann NY agrees. “I think the typical answer you’ll hear is that an account director manages the client, but the truth is, the account person manages the business. I think any good account director is really trying to drive their business forward through the most creative vessel possible. They chart the vision and help both the agency and client arc in that direction.” The scope of the role can vary as well. Amy Walloch, Account Director at Leo Burnett; explains: “Understand­ing that many clients desire to do more with less, the account role has evolved to cover anything from helping with creative brainstorm­s to writing strategic briefs. While these may not reflect how the roles were years ago, I think it has helped to make account team members more well-rounded.” Milo van der Meij, Business Director at DDB Unlimited Amsterdam, has also noted a few changes in the role over the years. “What remains the same is the goal to help create the optimal creative business solution for your client in order to give them the thing they require: more grip on performanc­e. What has changed is the toolbox you need to be able to advise on, and know how to use. Not only within advertisin­g, but also on digital, social media, product developmen­t and the new gold: data!”

QUALIFICAT­IONS AND EXPERIENCE NEEDED TODAY

“There isn’t really any ideal path to becoming an account manager or director,” says Jean-baptiste. “You’d think you’d need to graduate from an ad school, but that’s not really the case. That’s the beauty of this career… What matters most is not where you come from, but your attitude and qualities. It’s super interestin­g to work with people from different background­s: they bring fresh ideas and give new perspectiv­es.” Chioma agrees that education isn’t everything. “Most account managers have a bachelor’s degree. There are of course few who don’t and few who have more. I think the most important qualificat­ion is strong curiosity and good hearing; there’s a lot of listening involved.” Amy of Leo Burnett relies on agility. “Due to the fact that we wear so many hats, the ability to multi-task, pivot and handle tough conversati­ons are the top three qualificat­ions you need to be successful.” But she adds that experience is key. “I have found that experience at a range of agencies of all different sizes has helped to diversify my skills and knowledge, because every agency is run so differentl­y.”

REQUIRED KEY SKILLS

As you can imagine, for a role that requires so much coordinati­on, organizati­on is key. Chioma considers it a basic skill, along with problem solving, business acumen and strong people skills. Amy adds leadership, management, maintainin­g a positive attitude, clear communicat­ion and the ability to pivot.

Due to the fact that we wear so many hats, the ability to multi-task, pivot and handle tough conversati­ons are the top WKUHH TXDOLÀFDWL­RQV \RX need to be successful AMY WALLOCH Account Director at Leo Burnett The best ideas and solutions can originate where there is no hierarchy or siloes. Co-operation is key. MILO VAN DER MEIJ Business Director at DDB Unlimited Amsterdam

Jean-baptiste of Sid Lee Paris agrees, and stresses that it’s important to be “curious and know how to adapt, as well as have good relationsh­ip skills, which will help with clients and internal teams. And, even if account men/women aren’t creatives per se, it’s always good to have a certain sensibilit­y for it.” But, like the role itself, required skills are evolving. Milo of DDB unlimited Amsterdam counts digital and data skills in the mix these days. “This is where your added value as a business partner comes from.”

On the historic tension between the creative department and the “suits. Stuffed shirts versus creative egos – that’s what’s often portrayed on TV. But if that battle ever existed, most agree it’s not a part of the industry today Amy of Leo Burnett explains that “over time, as more new people have joined the creative ranks, the approach has changed to a more collaborat­ive one. I have found in my career that my creative counterpar­ts on the whole appreciate objective input and guidance from the account and strategic teams with the common goal in mind of making the work better.” Jean-baptiste acknowledg­es there may be a little tension sometimes. “But I don’t think it’s unhealthy. We work together to think up, sell and produce beautiful creative work, which we can all be proud of. Account managers and directors listen to creatives but creatives also listen to account teams because they know the client and, if necessary, can adjust ideas to adhere to the brief and serve the client’s needs.” Milo agrees that teamwork is valuable. “The best ideas and solutions can originate where there is no hierarchy or siloes. Co-operation is key.” Incidental­ly, he points out that he hardly ever wears a suit anymore.

WAYS OF BECOMING MORE EFFECTIVE

Becoming a member of the team is just the beginning. If you want to be effective, Chioma says you’ll need to work hard and “understand the goals and the vision, and figure out how, in your own way, you can push the business towards that.”

But not everything is intuitive and there will be some things you can only pick up along the way. Milo at DDB encourages people to be open and ask questions. “Allow yourself the time to experience, and the freedom to make mistakes. That way you will learn.”

There isn’t really any ideal path to becoming an account manager or director[…] What matters most is not where you come from, but your attitude and qualities. JEAN-BAPTISTE DESTABEAU at Sid Lee Paris I think any good account director is really trying to drive their business forward through the most creative vessel possible. They chart the vision and help both the agency and client arc in that direction. CHIOMA ADUBA Executive Account Director at Mccann NY

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