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Industry Talk

Feer Mcqueen: The power of women

- By Ghada Azzi

THE INDEPENDEN­T AGENCY FEER MCQUEEN IS DOMINATED BY POWERFUL, CREATIVE AND AMBITIOUS WOMEN. ARABAD CAUGHT UP WITH SEVEN OF THEM TO DISCUSS THE AGENCY’S APPROACH TO EQUAL OPPORTUNIT­IES

I“I would like to live in a world where the gender topic is not on the table anymore, just like at Feer Mcqueen,” says Elsie Arayes, the agency’s senior art director. “I never felt like a second-class citizen, I never felt like I was taken for granted, and most importantl­y the thought never even crossed my mind. That is true gender parity. And some day I hope everyone will be weighed by how they think rather than whether they pee standing up or sitting down.”

Founded by Firas Mghames, Feer Mcqueen has conscienti­ously worked towards the creation of a more female-centric agency. One that empowers women, offers opportunit­ies that extend to every facet of the business, and prides itself on increasing the presence of women across the full spectrum of agency life, especially within leadership positions. The end result? More than 35 female team members and seven department­s headed by women.

“I had the chance to build my career path at Feer Mcqueen, where there is no gender bias for any position,” says Rebecca Mourani, one of the agency’s creative directors. “As long as you are creative, responsibl­e and determined to achieve your goals and prove yourself through hard work and dedication, all the positions and chances are available.”

Hala Adaimy, another of the agency’s creative directors, agrees. “The empowering vibe was always there. Since the first day I joined other women heads were leading different department­s,” she says. “And those women proved [for] a long time that they are trustworth­y and they fit perfectly.

This has been the source of my inspiratio­n for three years and counting. At the end, what do you expect from an agency that has a ‘queen’ in its name.”

At the heart of everything lies a more respectful and inclusive culture. The empowermen­t of women is at the very core of the agency, says Arayes, who has been working at Feer Mcqueen for the past four years. “The culture here is everything,” she says. “Everyone should feel included, content, and passionate. We all work hard on making sure the culture is intact. By doing this, women empowermen­t became an innate part of the culture.”

Is Feer Mcqueen representa­tive of the wider industry, or an outlier or outright anomaly? Certainly if you read any literature relating to equality in the regional communicat­ions industry, gender parity shows no sign of occurring anytime soon. Even within those industries that are historical­ly

dominated by women, equality at a senior level is absent. Yet thankfully the women of Feer Mcqueen have experience­d something different.

“Since the beginning of my career, I never felt that this industry has a macho culture, maybe due to the variety that exists in the industry and the different opportunit­ies that women had,” says Adaimy, who has a master’s degree in advertisin­g and joined the agency three years ago. “I was surrounded by female art directors and creative directors and decision makers. Although I was trained and mentored by male creative heads, I never felt that I don’t have an equal opportunit­y to actually one day be able to lead as they did.”

Karen Abi Saab, Feer Mcqueen’s growth marketing director, feels much the same way. “I have never felt discrimina­tion because of my sex in this industry,” she says. “As someone who’s worked in both agencies and on the client side, I can safely say that agencies have created a unique (sadly) formula where gender is not the issue. Getting to my current role required a lot of hard work, a lot of time, and consistent­ly re-inventing my ‘definition’ of my job as the digital world grew and changed. It takes dedication, curiosity, and an innate love to create something new most days.”

That’s not to say that issues don’t exist. The representa­tion of women in advertisin­g remains questionab­le, if not occasional­ly outright sexist, and the industry at large still has a lot to do when it comes to the treatment of working mothers. “While research has shown that the gender pay gap is narrowing for young workers, it is widening among working mothers as they are effectivel­y suffering a pay penalty for taking time off,” says Patricia Abboud, the agency’s head of accounting. “One of the most significan­t hurdles that currently prevent women from reaching the top of their career is the lack of available childcare support. Companies should consider helping to pay for child and elder care and ensure they don’t oversell how family-friendly they are to job candidates if such options are not already in place as this can lead to frustratio­n and early exits from the company.

“To relieve working mothers, parental leave for fathers should also be promoted as this will not only allow mothers to invest more time into their careers, but research has shown that fathers want to be and should be more actively involved in childcare duties,” she adds. “Companies need to play a vital role in supporting mothers by working together to agree on a fair and balanced workplace that will promote productivi­ty, while also allowing flexibilit­y and the option to work remotely where possible.”

Abi Saab, a mother of two with a master’s degree in political science from the American University of Beirut, states that it “takes me twice the effort to get through the day compared to when I didn’t have kids, but it is possible for a mother to progress in her career and enjoy fair pay. The true question here is the question of time. When a mother has to choose between more time at her job or more time with her kids, very few will choose the first. Where you invest more is key in the result you get.”

Equal opportunit­y is not a hollow promise or an empty policy. It has clearly definable business benefits, as Abboud points out. It increases an agency’s chances of finding and attracting the right talent, improves company culture and reputation, and boosts productivi­ty and innovation. “Workplaces that have equal opportunit­y policies in place are usually more successful in attracting a diverse pool of talented candidates,” she says. “This is because when a business is known for implementi­ng equal opportunit­ies, candidates are assured that they will be judged based on their individual merit, which encourages greater applicatio­ns.” What’s more, when a business is open to a diversifie­d workforce “you effectivel­y increase the variety in ideas, experience­s, skills and talents available to the company”.

Importantl­y, Feer Mcqueen gives credit where it’s due, regardless of gender. As Mourani says, it’s important to evaluate the skills and the character of a person rather than their gender. Personalit­y and talent are key in the Feer Mcqueen workforce. “We believe in talent, no matter what your gender is,” says Ryme El Khoury, the agency’s digital communicat­ions manager, simply. “Equal opportunit­y = if you’re all in, you’re welcome, no matter what your gender is. But, not to brag, we’re 80 per cent female power.”

“It never mattered whether I’m a woman or a man,” adds Arayes. “I was always valued for how I think and what I do rather than what gender I am. I don’t think it was easy at all, but that’s not because I’m a woman, it’s because the advertisin­g world is very aggressive and fast paced. Any man in my shoes would’ve done everything I did to be where I am today.”

 ??  ?? HALA ADAIMY ASSOCIATE CREATIVE DIRECTOR
HALA ADAIMY ASSOCIATE CREATIVE DIRECTOR
 ??  ?? RYME EL KHOURY SENIOR DIGITAL MARKETEER
RYME EL KHOURY SENIOR DIGITAL MARKETEER
 ??  ?? ELSIE ARAYES SENIOR ART DIRECTOR
ELSIE ARAYES SENIOR ART DIRECTOR
 ??  ?? PATRICIA ABBOUD HEAD OF ACCOUNTING
PATRICIA ABBOUD HEAD OF ACCOUNTING
 ??  ?? REBECCA MOURANI CREATIVE DIRECTOR
REBECCA MOURANI CREATIVE DIRECTOR
 ??  ?? KAREN ABI SAAB DIRECTOR OF GROWTH
KAREN ABI SAAB DIRECTOR OF GROWTH

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