Gulf Today

TIMELESS TREASURE

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SYRIA REOPENS ITS ANTIQUITIE­S MUSEUM IN THE CAPITAL AFTER SIX YEARS, WITH A TWO-MILLENIA-OLD LION STANDING PROUD IN THE GARDEN. THE DAMASCUS MUSEUM, FOUNDED IN 1920, WAS CLOSED ONE YEAR INTO THE CIVIL WAR AS THE THEN NATIONAL HEAD OF ANTIQUITIE­S MAAMOUN ABDULKARIM TOOK ACTION TO PROTECT ITS PIECES FROM REBEL ROCKETS OR LOOTING. THE GULF TODAY FEATURE TEAM BRINGS YOU THE ANCIENT ERA OF THE WORLD

The antiquitie­s museum in the capital of war-torn Syria reopened its doors after six years on Sunday, with a two millenia-old lion standing proud in the garden.

Its jaws ajar, the three-metre stone Lion of Al-lat towered over a fountain after surviving the country’s seven-year conlict and damage inlicted by Daesh group militants.

The lion was just one of the artefacts on show after the museum reopened one of its wings, revealing once again some of its thousands of treasures for the irst time since 2012.

Other parts of the museum are to reopen soon.

The Damascus museum, founded in 1920, was closed one year into the civil war as the then national head of antiquitie­s Maamoun Abdulkarim took action to protect its pieces from rebel rockets or looting.

He was petriied that the country’s museums would be looted like inneighb our ing Iraq after the Us-led invasion of 2003.

“We closed all doors in all museums in Syria... and we emptied all the halls,” said Abdulkarim.

From 2012 onwards, the museums authority stored some 300,000 items and thousands of manuscript­s in secret locations protected from ires, shelling and loods.

The pieces come from 34 museums, including 80,000 items from damascus alone.

Antiquitie­s ofi ci al ah mad de eb explained how they protected the artefacts.

“We put some in metal boxes. But we surrounded the larger pieces that are tough to transport with cement blocks to protect them,” he said.

MOSAICS AND TOMBS

The capital’s museum’s gardens, however, remained open to the public, even as rockets intermitte­ntly hit the city from the nearby rebel bastion of Eastern Ghouta.

Hundreds of syria’ s archaeolog­ical sites have been destroyed, damaged or looted since the start of the war, with all sides blamed for the plundering.

Now part of the Damascus collection is again available for the people to see, after President Bashar al-assad’s forces earlier this year took back Eastern Ghouta and secured the capital.

Inside, visitors could admire a centurieso­ld mosaic depicting a panther and a cockerel.

They could once again walk into the elaborate funerary chambers of the Yarhai family from the second century, from the ancient city of Palmyra in the centre of the country.

The main sarcophagu­s is topped with a limestone sculpture of a man reclining on his side, clutching a goblet.

All around him in what was once an undergroun­d burial chamber, limestone igures appear to take part in a banquet.

The whole tomb was transferre­d from the Unesco-listed heritage site of Palmyra to the capital in the 1930s.

Safely inside the capital’ s closed museum, the tomb escaped destructio­n b yd aeshwh en the militants overran Palmyra in 2015. But the Lion of Al-lat was not so lucky. The stone lion was irst discovered at the temple of Al-lat, a pre-islamic Arabian goddess of war and peace, in palmyra in 1977.

Bartosz Markowski, a Polish archeologi­st, helped restore the statue in 2005 as a relief, only to see it ravaged by Daesh just a decade later.

NEW ADDITION

“When Daesh came to Palmyra it was the irst thing they destroyed,” he said, using the Arabic acronym for Daesh.

The extremist group considers statues of humans or animals as blasphemou­s.

Known to Syrians as the “Pearl of the Desert”, Palmyra was home to some of the best preserved classical monuments in the Middle East.

But following their capture of the city, Daesh beheaded Palmyra’s 82-year-old former antiquitie­s chief and launched a campaign of destructio­n against its treasured monuments.

After Russia-backed regime forces retook Palmyra in 2016, Markowski took part in a second restoratio­n that inished one year ago, bringing the lion to a new home in the Damascus garden.

Between the lion’s legs, an antelope rests, a hoof extended over one of the lion’s muscular paws.

“It was the irst sculpture that was restored after the crisis, and it was an important thing for the people,” said Markowski.

“They could have seen the lion as a sym- bol... that the crisis is going away -- slowly but the situation is getting better,” he said.

Today, the Syrian regime is in control of around two-thirds of the country.

This week, the Polish expert and his team gave the lion its inal touches, adding the antelope’ s nose which had gone missing.

The head of the Palmyra museum, Khalil Hariri, said he hoped the lion would eventually return to its home city.

“A piece is more beautiful where it belongs,” he said.

 ??  ?? Jihad Abu Kahrlah, an archaeolog­ist at Syria’s National Museum, holds an artifact delivered from the Daraa Museum to Damascus, Syria. People attend the reopening ceremony for Syria’s National Museum in Damascus, Syria, on Sunday. Polish archaeolog­ist Bartosz Markowski sits in front of the Lion of al-lat, an ancient statue from the temple of the same name in Palmyra, during his visit to the national antiquitie­s museum in the Syrian capital Damascus on Sunday.
Jihad Abu Kahrlah, an archaeolog­ist at Syria’s National Museum, holds an artifact delivered from the Daraa Museum to Damascus, Syria. People attend the reopening ceremony for Syria’s National Museum in Damascus, Syria, on Sunday. Polish archaeolog­ist Bartosz Markowski sits in front of the Lion of al-lat, an ancient statue from the temple of the same name in Palmyra, during his visit to the national antiquitie­s museum in the Syrian capital Damascus on Sunday.
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