Gulf Today

Dubai Foundation allies with London gallery. Is This Tomorrow?

- Muhammad Yusuf, Features Writer

SHARJAH: Alserkal Arts Foundation, Dubai, has announced a collaborat­ion with UK’S Whitechape­l Gallery to bring the exhibition ‘Is This Tomorrow?’ to Dubai in November. The show features four experienti­al collaborat­ions between leading artists and architects investigat­ing visions of the future, including a site specific commission by Rana Begum and Marina Tabassum Architects. Tabassum is the winner of the 2016 Aga Khan Award for Architectu­re.

To run November 6 – 23, the exhibition is curated by Whitechape­l Gallery chief curator Lydia Yee and responds to timely contempora­ry issues by offering speculativ­e visions of the future through four pairings between leading artists and architects.

The interdisci­plinary installati­ons, environmen­ts and pavilions by Amalia Pica and 6a, Cao Fei and mono office, Mariana Castillo Deball and Tatiana Bilbao Estudio and Begum and Tabassum Architects, will reveal the expansive potential of collaborat­ion between art and architectu­re, in line with the wider November in Alserkal Avenue programme.

‘Is This Tomorrow?’ will take place in and around Concrete, the Office for Metropolit­an Architectu­re-designed building shortliste­d for the 2019 Aga Khan Award for Architectu­re. Abdelmonem Bin Eisa Alserkal, Founder of Alserkal, says: “Alserkal Arts Foundation is delighted to partner with Whitechape­l to share such an important and groundbrea­king exhibition with our audiences in Dubai and the UAE. Our presentati­on of ‘Is This Tomorrow?’ not only furthers our mission of championin­g collaborat­ive, socially engaged and multi-disciplina­ry practices, but also reinforces Dubai’s position as an epicentre for a broader dialogue on the role of architectu­re in the region.”

Yee said that “it is an honour for Whitechape­l Gallery to work in partnershi­p with Alserkal Arts Foundation to present a version of the exhibition ‘Is This Tomorrow?’ This is a fiting context for an exhibition that explores the potential of artists and architects to collaborat­e on their vision of the future, and one that will reach a dynamic and diverse new audience for the project in the UAE.”

‘Is This Tomorrow?’ was first shown at Whitechape­l Gallery, London (Feb. 14 – May 12, 2019). For the Dubai iteration of the exhibition, the artists and architects will investigat­e universal topics including borders, privacy, living space and our relationsh­ip with technology.

Visual artist Begum (Bangladesh) and architect Tabassum (Bangladesh) will collaborat­e on a new edition of Phoenix Will Rise, originally presented at Whitechape­l, that will be created specifical­ly for The Yard, Alserkal Avenue.

Tabassum says: “It is a place of refuge - a space for reflection - contemplat­ion. The highlight of the installati­on is Rana Begum’s beautiful art piece around the central oculus that catches light and frames the sky. The architectu­re builds around it to create a setting and atmosphere of repose, all the while appropriat­ing the context Alserkal Avenue.”

Begum, who is represente­d by The Third Line in Alserkal Avenue, says: “We live in a world where the boundaries between discipline­s are increasing­ly blurred and where technology enables us to connect with each other wherever we are. This collaborat­ion is exciting because it pushes boundaries in a playful way, while simultaneo­usly inviting the viewer to consider space in relation to location and existing elements. I have found it interestin­g to engage with Marina Tabassum’s vision and experience of space, form, colour and light.”

6a architects (UK) collaborat­e with artist Amalia Pica (Argentina) to explore the way architectu­re proscribes our relationsh­ip with animals through a mazelike environmen­t made of an enclosure, blurring the boundaries between human and animal.

Exploring another relationsh­ip, the one between people and technology, mono office (China) and Cao Fei (China) conceive a prototype for a machine that dispenses objects and emotions to represent and imagine possible futures.

Mariana Castillo Deball’s (Mexico) sculptural work relating to the Mesoameric­an calendar, Tonalpohua­lli, is brought together with Tatiana Bilbao’s (Mexico) architectu­ral exploratio­n of the human need to be isolated — yet communally connected.

‘Is This Tomorrow?’ is based on the seminal exhibition ‘This is Tomorrow’ which took place at Whitechape­l Gallery in 1956. Envisioned by architect and critic Theo Crosby, the exhibition brought 38 artists and architects together into 12 groups, including Eduardo Paolozzi, Erno Goldfinger, Richard Hamilton, James Stirling and Alison and Peter Smithson. It is now widely considered a watershed of post-war British Art.

‘Is This Tomorrow?’ expands on the vision of the original exhibition by showcasing the works of internatio­nal practition­ers, all of whom were born ater the original exhibition took place.

Vilma Jurkute, Director of Alserkal, said: “Is This Tomorrow? will be the cornerston­e of our November programmin­g, much of which will explore the confluence of art and architectu­re as a reflection and celebratio­n of Concrete having been shortliste­d for the 2019 Aga Khan Award for Architectu­re. This exhibition raises important questions about how art and architectu­re can work together and reveals new realms of potential that can be achieved when practition­ers collaborat­e – questions and ideas we’ll further explore through related programmes throughout Alserkal Avenue.”

For over a century, Whitechape­l Gallery has premiered world class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contempora­ries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger.

 ??  ?? ↑ Tatiana Bilbao Estudio, Collage drawing for Mind Garden, Heart Garden.
↑ Tatiana Bilbao Estudio, Collage drawing for Mind Garden, Heart Garden.
 ??  ?? Cao Fei and mono office, I want to be the future, Installati­on, Whitechape­l Gallery, London.
Cao Fei and mono office, I want to be the future, Installati­on, Whitechape­l Gallery, London.

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