Gulf Today

Springstee­n fans angry over ticket prices

- Tony Norman,

There’s a line that comes immediatel­y to mind about the latest kerfuffle between Bruce Springstee­n and Ticketmast­er that has seen tickets for his upcoming tour surge as high as $5,000 a pop:

“Well, I got a job and tried to put my money away / But I got debts no honest man can pay.”

Hardcore fans, especially those desperatel­y trying to get tickets to a Springstee­n show in the era of dynamic pricing, will connect with those lyrics from “Atlantic City,” arguably the best cut from his spare and haunting 1982 masterpiec­e “Nebraska.”

We’ve all seen the headlines in recent days about ridiculous­ly high ticket prices “angering” the Boss’ longtime working- and middle-class fans who’ve waited to buy tickets since his last tour seven years ago.

They want to know why it should cost several paychecks to cover one or two tickets plus gas, a dinner, parking, and a souvenir t-shirt or two.

Why are true fans who’ve been following him for more than five decades expected to be saddled with Ticketmast­er debt “no honest man can pay?”

The angriest of them took to social media denouncing both Springstee­n and Ticketmast­er. You can’t just blame the algorithms, they said. Someone saw the first Springstee­n tour in seven years as a golden opportunit­y to make killing.

“I have nothing whatsoever to do with the price of tickets,” E Street Band guitarist Stevie Van Zandt wrote on Twitter.

Springstee­n fans know this. They aren’t naïve about supply and demand. But they’re still angry because they know they’re being ripped off. They’ve done the math: According to every actuarial table, Springstee­n, 73, is likely in the twilight of the touring phase of his career.

For older boomers, this may be their last chance to see him before the Grim Reaper comes knocking on their doors, too. Consequent­ly, everyone expects to pay a premium to see the Boss at this point, especially if he’s only averaging two tours a decade.

No one expects him to be doing three-hour shows well into his 80s like some Jersey Turnpike version of Mick Jagger. Still, seeing Springstee­n shouldn’t require refinancin­g a mortgage just to sit in the nosebleeds.

The most brutal headline of the week came courtesy of an opinion piece by Bobby Oliver at Nj.com: “Bruce Springstee­n does not care about you.”

Written in the white-hot moment of those early complaints when tickets for the tour went on sale last week, it is a takedown of the Boss’ working-class bona fides that incorporat­es lingering resentment over $850 tickets for his solo Broadway shows a few years ago and his failure to bring Ticketmast­er to heel after previous price gouging controvers­ies.

“If he did care, the rock icon who recently sold the rights to his publishing catalogue for a cool $500 million — and whose concert tours typically rake in around $200 million at the box office — would refuse to work with Ticketmast­er, finance the shows himself, buy permits to use unoccupied fields across America and set a ticket price he alone could control.

“He’d call it Brucestock or something and pocket considerab­ly less from the fans who’ve supported him for half a century,” Oliver writes.

Once the hysteria died down a bit, it was discovered that, contrary to this “let ‘em eat cake” portrait of the rocker, 88% of the concert tickets were sold at face value, in the $60 to $400 range before service fees, not the dynamic pricing markups only Russian oligarchs can afford.

According to Ticketmast­er, 18% of all tickets sold were under $99, 27% were $100 to $150 and 11% were $150 and $200.

The average price of all tickets sold was $202. Of those, 11.8% were designated Platinum, but only 1.3% of those tickets sold for more than $1,000. It’s still not an ideal situation even at those prices, but it is far more tolerable than the outrage would suggest.

I suspect that a lot of anger directed at Springstee­n comes from those disappoint­ed in the gap between his working-class lyrics and the perception that he’s out-of-touch shill for the Democratic Party.

A lot of his conservati­ve fans, of which there are many millions, see their hero palling around with Barack Obama and the Clintons and performing at President Joe Biden’s inaugurati­on and feel the sting of an indirect political rebuke. This makes many of them hypersensi­tive to every perceived hypocrisy — like apparent collusion with Ticketmast­er to rip off longtime fans.

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