French cinema giant Jean-luc Godard passes away at 91
GENEVA: Jean-luc Godard, the ingenious “enfant terrible”ofthefrenchnewwavewhorevolutionized popular cinema in 1960 with his first big endeavour, “Breathless,” and stood for years as one of the world’s most vital and provocative directors, has died. He was 91. Swiss news agency ATS quoted Godard’s partner, Anne-marie Mieville, and her producers as saying he died peacefully and surrounded by his loved ones at his home in the Swiss town of Rolle, on Lake Geneva, on Tuesday.
Godard defied convention over a long career that began in the 1950s as a film critic. He rewrote rules for camera, sound and narrative. He worked with some of the best-known names of French cinema like Brigite Bardot and badboy Jean-paul Belmondo, who was propelled to stardom through Godard films. He profiled the early Rolling Stones, gave a voice to Marxist, letist and 1960s-era Black Power politics, and his controversial modern nativity play “Hail Mary” grabbed headlines when Pope John Paul II denounced it in 1985.
While many of his works were lauded, Godard also made a string of films that were politically charged and experimental, and pleased few outside a small circle of fans, while frustrating many critics who saw them as filled with overblown intellectualism.
Born into a wealthy French-swiss family on Dec. 3, 1930 in Paris, Godard grew up in Nyon, Switzerland and studied ethnology at the Sorbonne in France’s capital, where he was increasingly drawn to the cultural scene that flourished in the Latin Quarter “cine-club” ater World War II.
He became friends with future big-name directors Francois Truffaut, Jacques Rivete and Eric Rohmer and in 1950 founded the shortlived Gazete du Cinema. By 1952 he had begun writing for the prestigious movie magazine Cahiers du Cinema.
Ater working on two films by Rivete and Rohmer in 1951, Godard tried to direct his first movie while traveling through North and South America with his father, but never finished it.
Back in Europe, he took a job in Switzerland
File/associated Press as a construction worker on a dam project. He used the pay to finance his first complete film, the 1954 “Operation Concrete,” a 20-minute documentary about the building of the dam.
Returningtoparis,godardworkedasspokesman for an artists’ agency and made his first feature in 1957 - “All Boys Are Called Patrick,” released in 1959 - and continued to hone his writing. He also began work on “Breathless,” based on a story by Truffaut. It was to be Godard’s first big success when it was released in March 1960.
The movie stars Belmondo as a penniless young thief who models himself on Hollywood movie gangsters and who, ater he shoots a police officer, goes on the run to Italy with his American girlfriend, played by Jean Seberg.
Along with Truffaut’s “The 400 Blows,” released in 1959, Godard’s film set the new tone for French movie aesthetics. Godard rejected conventional narrative style and instead used frequent jump-cuts that mingled philosophical discussions with action scenes.
He spiced it all up with references to Hollywood gangster movies and nods to literature and visual art.
Godard also launched what was to be a career-long participation in collective film projects, contributing scenes to “The Seven Deadly Sins” along with directors such as Claude Chabrol and Roger Vadim. He also worked with Ugo Gregoreti, Pier Paolo Pasolini and Roberto Rossellini on the Italian movie “Let’s Have a Brainwash,” with Godard’s scenes portraying a disturbing post-apocalypse world.
Godard, who was later to gain a reputation for his uncompromising let-wing political views, had a first brush with French authorities in 1960 when he made “The Litle Soldier.” The movie, filled with references to France’s colonial war in Algeria, was not released until 1963, a year ater the conflict ended. Godard married Danish-born model and actress Anna Karina in 1961. Godard married his second wife, Anne Wiazemsky, in 1967. He later started a relationship with Swiss filmmaker Anne-marie Miéville. Godard divorced Wiazemsky in 1979, ater he had moved with Miéville to the Swiss municipality of Rolle, where he lived with her for the rest of his life.