Gulf Today

S afar art collection unveiled at Alula Internatio­nal Airport by Arts Alula

- M uham m ad Yusuf, Features Writer

SHARJAH: Safar is a major new collection of over 64 artworks by 24 Saudi and internatio­nal artists at Alula’s Internatio­nal Airport. Spanning both the Executive Terminal and the Commercial Terminal, it highlights and celebrates Alula’s cultural legacy, natural wonders and community, and includes works by artisans of Alula’s Madrasat Addeera Art and Design Centre, opened by the Royal Commission for Alula (RCA) to train and upskill the next generation of creatives.

Safar – meaning travel in Arabic – is a fiting name for this collection of sculpture, photograph­y, textiles, paintings and design pieces found at the gateway to Alula. Alula has long been a place of artistic journey - a historic hub of cultural transfer, which is now being revived as an oasis of art and creativity. A long-standing place of passage, it has always welcomed traders, merchants and pilgrims who have – for millennia – portrayed their experience­s of Alula’s spectacula­r cultural landscape through literature and art. The Safar art collection continues the legacy, linking the narratives of the past through the contempora­ry perspectiv­es of artists of our time — a journey through the airport and a journey through Alula’s past heritage and future vision.

The collection was conceived by RCA and facilitate­d by Capsule Arts, presenting work by significan­t Saudi and internatio­nal artists such as Dana Awartani, Shaikha Al Mazrou and Zahrah Al Ghamdi (all of whom have a longstandi­ng relationsh­ip with Arts Alula) as well as emerging artists such as Stephanie Neville, Sandrah Boutros and Nidanin Woodwork. Speaking to Arts Alula’s vision for a new — and local — creative community, works by the 10 Saudi artists and six regional artists sit alongside those by artisans from Madrasat Addeera, the first Art and Design Center in Alula which offers crat programmes for local artisans.

In a piece entitled ‘Our Living Tradition’, artisans from Madrasat Addeera investigat­e the Order of Nature as a design tool and how language is intrinsic to traditiona­l arts and cultures. Their paintings mirror the same underlying square grid patern (the basis of textile techniques such as Al Sadu weaving, which is a new addition to UNESCO’S List of Intangible Cultural Heritage) but feature different paterns that originate from the varied traditiona­l crats that span the region.

Safar’s artworks are seemingly in dialogue with Alula’s physical and cultural landscape. Two sculptures by Shaikha Al Mazrou reference local rock engravings in a deep brick orange resin, while two framed diptychs by

Dana Awartani continue the heritage narrative through intricate traditiona­l paterns inspired by aerial views of Alula’s famous heritage sites.

Meanwhile, Farah Behbehani’s embroidere­d textiles serve as an ode to the community of Alula through a local crat, and Ranim Halaky’s ‘Conversati­ons through time’ is a typographi­c raw steel installati­on that has been created in collaborat­ion with the community, presenting their voice in sculptural form. Alongside this, the work of emerging artists such as Neville, Boutros and Woodwork is presented as a contempora­ry cabinet of curiositie­s in the Executive Terminal Library.

It includes works inspired by Alula’s rich heritage of textile and crats, alongside photograph­y from the RCA’S archive that depict the surroundin­g landscapes. Commenting on the project, Nora Aldabal, Executive Director, Arts and Creative Industries for RCA says: “We are delighted to unveil the Safar art collection — a continuati­on of our ongoing cultural programmin­g, seting the standard for engaging contempora­ry artists within the Kingdom.

“Safar represents the depth and breadth of Arts Alula’s relationsh­ip with the arts: a major new collection that follows recent world-class events such as Desert X Alula 2022, the Cortona on the Move artist residency, What Lies Within and the launch of Wadi Alfann.

“Not least because of its airport seting, the Safar art collection reconnects Alula with local, regional and internatio­nal visitors in its next chapter as a centre of artistic exploratio­n, expression, and production. “The arts are a vital contributo­r to the region’s character and identity, the quality of life for its local community and the region’s economic future. We look forward to sharing it with all who come to Alula.” One can fly to Alula Internatio­nal Airport with Saudia Airlines, Flydubai and Flynas. Internatio­nal arrivals from Dubai Internatio­nal Airport, Kuwait Internatio­nal Airport and Cairo Internatio­nal Airport (from October 5); domestic arrivals from Riyadh, Jeddah and Damman. The airport is 35 kilometres, or a 30 minute drive, from Alula city centre.

Alula is a city of the Medina region in northweste­rn Saudi Arabia. The importance of Alula as an archaeolog­ical and historic site led to the establishm­ent of the RCA in 2017, the aim of which is to develop and promote it as an internatio­nal tourism destinatio­n.

The commission also develops the plans for heritage conservati­on and preservati­on. To promote tourism and gain more atraction, RCA is training young Saudis on an ambitious project where tourists will explore the area’s cultural treasures. Recruited from the Alula region itself, the young people (all high-school age or in their first year as university students, and split 50-50 between boys and girls) are in Riyadh, Saudi Arabia, being trained in hospitalit­y, learning new languages, studying farming and water technology, and researchin­g the cultural, social and natural history of their home region. The Prince Abdul Majeed bin Abdulaziz Internatio­nal Airport is a crucial part of the developmen­t strategy of the RCA.

 ?? ?? Growth by Zahrah Al Ghamdi in leather.
Clio Dorado by Manolo Valdes is an artwork presented outside Alula Internatio­nal Airport.
Growth by Zahrah Al Ghamdi in leather. Clio Dorado by Manolo Valdes is an artwork presented outside Alula Internatio­nal Airport.
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