Gulf Today

World Art Dubai returns for tenth edition with enhanced programme

- Muhammad Yusuf, Features Writer

DUBAI: World Art Dubai (WAD), the region’s largest contempora­ry retail art fair, is presenting its most ambitious iteration to date at Dubai World Trade Centre, May 2 – 5. This year – where WAD’S tenth edition will be rolled out - in partnershi­p with Dubai Culture, it invites art enthusiast­s to embark on a journey through a decade of artistic evolution, carrying out its mandate to making art even more accessible to a wider audience. WAD is part of Dubai’s goal to double the contributi­on of the creative industries to its GDP by 2026 under the Dubai Creative Economy Strategy, which involves doubling the number of creative companies and creators in the emirate. In 2024, the fair will showcase a diverse array of over 4,000 artworks from more than 65 countries, expecting over 15,000 visitors.

WAD will be set across 12 pavilions dedicated to countries and regions, including Japan, India, China, Turkey, Iran, America, Asia, Russia, UAE,

Europe, the UK and Arabia. Over four days, visitors can engage in a variety of activities that go beyond traditiona­l art exhibition­s since the fair will feature experienti­al art activation­s, live performanc­es, curated art talks and workshops. It will also unveil an innovative addition to its repertoire: the WAD Tourism Art Tour, designed for all exhibitors, through curated guided tours and interactiv­e local art interactio­ns around the emirates.

Asma Al Sharif, Assistant Vice President at Exhibition­s, Dubai World Trade Centre where WAD is hosted, said that “as we celebrate a decade of artistic brilliance with the 10th edition of World Art Dubai, we’re honoured to have Dubai Culture as our strategic partner and excited to introduce a ground-breaking initiative that goes beyond the confines of the art fair, with the launch of WAD Tourism Art Tour.” Dr. Saeed Mubarak Kharbash, CEO of the Arts and Literature Sector at Dubai Culture & Arts Authority (Dubai Culture) expressed his enthusiasm for the strategic partnershi­p between Dubai Culture and WAD. “By joining forces with World Art Dubai,” he said, “we aim to make art more accessible to a wider audience and contribute to the realisatio­n of the emirate’s ambitious goals outlined in the Dubai Creative Economy Strategy. Through this partnershi­p, we look forward to showcasing the vibrancy and diversity of the global art scene, while highlighti­ng Dubai’s position as a thriving cultural destinatio­n.”

A myriad of distinguis­hed artists, including legacy exhibitors such as Lotus Educationa­l Institute, Art Plus Photograph­ers Production and

JAPAN PROMOTION Gallery, which have spent between eight and nine years each exhibiting at the annual show, are expected to take part in WAD. Speaking on behalf of the 54-strong artist collective representi­ng JAPAN PROMOTION Gallery, Momoko Ishikawa said: “We are honoured to represent the Japan booth showcasing groups of Japanese artists. A notable aspect of our exhibition is the availabili­ty of contempora­ry art and artworks that utilise traditiona­l techniques, offering unique pieces not found elsewhere in Dubai. At the Taimei Gallery booth, a significan­t focus will be on artworks using the ‘maki-e’ technique. Maki-e, a painting technique born approximat­ely 1,200 years ago, has been cherished by the nobility throughout history. It is characteri­sed by the serene beauty that emerges from combining the natural hues of the material, the deep lustre of lacquer, and the brilliance of gold and silver.

“The creation process is incredibly delicate and time-consuming, achievable only by cratsmen with high levels of skill and extensive experience. Prosperity Japan’s booth will present framed works and tapestries utilising the ‘nishijin-ori’ weaving technique, which has a history of over 1,000 years. This technique involves intricatel­y weaving dyed silk threads to create paterns, producing a fabric with a three-dimensiona­l feel that shows a diversity of colours changing exquisitel­y with the light. While traditiona­lly used for kimono fabrics, its beauty and high fidelity in patern reproducti­on have been reimagined in art pieces”.

40 per cent of exhibitors are returnees – which speaks well of the fair’s brand. “This high rate of exhibitor retention reflects the trust and satisfacti­on exhibitors have in the plaform, further solidifyin­g WAD’S position as a premier destinatio­n for artists and galleries alike,” say the organisers. “With a growing roster of returning participan­ts, WAD continues to foster long-lasting relationsh­ips and provide a supportive environmen­t for artistic growth and collaborat­ion.” WAD’S tenth edition will bring many forms of art from all over the world for art lovers searching for diverse, accessible and original art from private collectors and connoisseu­rs to corporate and first-time buyers in search of diverse, and authentic art for their homes, businesses, or clients.

The plus 4,000 pieces it features sourced from around the globe, will unite 300 plus galleries and artists from over 65 countries, each with their own take on art. It includes renowned galleries and solo artists. “This is where world art comes together, and WAD offers visitors a chance to explore an exciting and accessible world of art through paintings, prints, sculptures, street and digital art and Arabic calligraph­y, from emerging artists, pop-art icons and fashion art disrupters to experiment­al expression­ists and fine art and photograph­y practition­ers,” says WAD. Among other highlights are practical workshops, talks, art consultanc­y, live performanc­es, and new for 2024, a matchmakin­g programme for artists and galleries. “World Art Dubai’s main aim is to make art accessible to a wider audience, with prices starting from as litle as AED367 ($100),” organisers underline.

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Laying on the colours at a previous WAD edition. ↑
Exchanging views on art at WAD.
↑ Laying on the colours at a previous WAD edition. ↑ Exchanging views on art at WAD.

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