LE BRISTOL REBORN

present day. For the rooms we have picked out three themes which encapsulate what the hotel represents; they are ‘Oriental’, ‘60s’ and ‘Modern classic’ giving guests a sense of escape.

4. How much of the original design has remained intact – what has involved and what’s completely new?

We obviously tried to keep as many original features as possible; an example being the Damascene woodwork which dates from the 19th century. It was installed during the time of the hotel’s construction in 1955 by Emile Tarazi. The chairs and sofas are original but have been re-upholstered in warm colors in homage to the romantic orientalism of that time. It is really a mix of half original style and half contemporary.

5. What is it about the hotel that’s undeniably Galal?

Two major guiding forces of GM Architect’s practice are restfulness and well-being. We used the warm colors and design, to create a soothing and relaxing environment.

Also, the mix of different cultural influences is always evident in the designs of GM Architects. This is partly because the firm is based in Lebanon, a country that has been a melting pot of different cultures throughout its history. In addition, my influences are really international. I have Egyptian parents, an English grandmother and many years spent travelling in other countries, notably France where I completed my architectural training. I take inspiration from all over the world. However, despite this, I like each project to be immersed in the local culture, using materials sourced from the local area and also supporting the work of designers and artists from the region. This was also true of Le Bristol project as we worked with some exciting Lebanese artists and designers such as Nada Debs.

After closing its doors in June of 2014, Le Bristol Beirut has been restored and renovated by architect, president and partner of GM Architects, Galal Mahmoud who shares insights on how he transformed this 65-year old Lebanese institution