Description

A shattering, poetic and raw first novel set among young Somalian refugees in the slums of London -- beginning with a double suicide and ending with a rebirth.

In a community where poverty is kept close and passed from one generation to the next, two teenage boys, best friends, stand on top of twin tower blocks. Facing each other across the abyss of London's urban sprawl, they say their good-byes and jump. One dies. The other, alternating with the sister of the deceased, narrates this novel.

James gives us a window into the inner city -- his mom is a crack addict, his gang "brothers" force him to kill another black boy. Meina describes with feeling her family history in Somalia: after her parents are killed before her eyes, her village aunt sells her to six husbands -- before she is even a teenager. Desperate to rebuild their lives, James and Meina set out to find the place for which every child longs -- home.

Brutal and shockingly violent in places, rambunctious and lively in others and slyly, dryly witty in yet others, Meina and James's journey toward life through their past is ultimately a powerful story of redemptive love and the debut of an extraordinary literary talent.

About the author(s)

Peter Akinti was a seventies child, born of Nigerian ancestry, in London. He read Law at a London University. He has written for the Guardian, and worked for four years at HM Treasury Chambers before founding and editing Untold Magazine for five years. Untold was the first independent British magazine for black men and had a wealth of gifted contributors from all over the diaspora. Peter spent eighteen months in Nigeria, running a restaurant, beer parlour and cinema in Ondo Town, Southwest Nigeria. He currently lives in Brooklyn.  Forest Gate is his first novel.

Reviews

"This is tautly constructed, graphic, angry, powerful fiction." -- Catherine Taylor, The Guardian

"A modern-day Richard Wright." -- William Leith, The Observer (UK)

"Vivid and energizing.... Breathtakingly fresh.... [Its] authenticity comes from a dazzling, painterly quality of realization and from a playful dance with the morality tale." -- Nicola Field, Socialist Review

"An assured debut." -- Ian Thomson, Times Literary Supplement

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