Description

Winner of the PEN Open Book Award * Winner of the Whiting Award * Longlisted for the National Book Award and Aspen Words Literary Prize * Nominated for the PEN/Robert W. Bingham Prize * Finalist for the Kirkus Prize and Los Angeles Times Book Prize

Named a Best Book of the Year by Refinery29, NPR, The Root, HuffPost, Vanity Fair, Bustle, Chicago Tribune, PopSugar, and The Undefeated

In one of the season’s most acclaimed works of fiction, Nafissa Thompson-Spires offers “a firecracker of a book...a triumph of storytelling: intelligent, acerbic, and ingenious” (Financial Times).

Nafissa Thompson-Spires grapples with race, identity politics, and the contemporary middle class in this “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders, author of Lincoln in the Bardo) collection.

Each captivating story plunges headfirst into the lives of utterly original characters. Some are darkly humorous—two mothers exchanging snide remarks through notes in their kids’ backpacks—while others are devastatingly poignant. In the title story, when a cosplayer, dressed as his favorite anime character, is mistaken for a violent threat the consequences are dire; in another story, a teen struggles between her upper middle class upbringing and her desire to fully connect with so-called black culture.

Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires “has taken the best of what Toni Cade Bambara, Morgan Parker, and Junot Díaz do plus a whole lot of something we’ve never seen in American literature, blended it all together...giving us one of the finest short-story collections” (Kiese Laymon, author of Long Division).

About the author(s)

Nafissa Thompson-Spires is the author of Heads of the Colored People, which won the PEN Open Book Award, the Hurston/Wright Legacy Award for Fiction, and the Los Angeles Times’s Art Seidenbaum Award for First Fiction. Her collection was longlisted for the National Book Award, the PEN/Robert W. Bingham Prize, and several other prizes, including an NAACP Image Award. She is also the recipient of a Whiting Award. She earned a doctorate in English from Vanderbilt University and a Master of Fine Arts in creative writing from the University of Illinois. With dark humor and covering topics from identity to chronic illness, her short fiction and essays have appeared in The Paris Review’s “The Daily,” New York magazine’s “The Cut,” The Root, The White Review, Ploughshares, 400 Souls: A Community History of African America 1619-2019, and The 1619 Project, among other publications. New writing appears in Fourteen Days, edited by Margaret Atwood. She is the recipient of a United States Artists Grant. Her young adult debut is forthcoming with Make Me a World. The Four Wives and Five Deaths of Richard Milford is her debut novel.

Reviews

“Nafissa Thompson-Spires has a way of staring intense, awkward, comic, and sorrowful situations right in the face. There's no escaping her honest gaze. Heads of the Colored People is a necessary and powerful new collection with, thankfully, not a dull sentence to be found.”  

Peter Orner

"With devastating insight and remarkable style, Nafissa Thompson-Spires explores what it means to come to terms with one’s body, one’s family, one’s future. The eleven vignettes in Heads of the Colored People elevate the unusual and expose the unseen, forming an original—and urgent—portrait of American life.” 

Allegra Hyde

"Vivid, fast, funny, way-smart, and verbally inventive, these stories by the vastly talented Thompson-Spires create a compelling surface tension made of equal parts skepticism towards human nature and intense fondness of it. Located on the big questions, they are full of heart." 

George Saunders

“Heads of the Colored People by Nafissa Thompson-Spires is an unusually intricate matrix of clear-eyed observation and devastating revelation about what it means to be a human being alive on this aching, raucous, unjust planet in the early 21st century. It is also, often, extremely funny, and is very smart on every page and gorgeously, rewardingly varied in its sentences and forms.” 

Laird Hunt

More from series Award-Winning Short Story Collection

More by Nafissa Thompson-Spires

More Short Stories

More Fiction

More African American & Black

More Literary