Description

Named a Best Book the Year by The New Yorker, NPR, Electric Literature, and more!

“Zoccola has beautifully and resourcefully reimagined this mythic material…Zoccola’s Helen has succeeded in joining her mythic forebear.” —The New York Times Book Review, Editors’ Choice

Part myth retelling, part character study, this sharp, visceral debut poetry collection reimagines Helen of Troy from Homer’s Iliad as a disgruntled housewife in 1990s Tennessee.

In the hills of Sparta, Tennessee, during the early nineties, Helen decides to break free from the life that stifles her: marriage, motherhood, the monotonous duties of a Southern housewife. But leaving isn’t the same thing as staying gone…

Rooted in a lush natural landscape, this stunning poetry collection explores Helen’s isolation and rebellion as her expansive personality clashes with the social rigidity of her small town. In richly layered poems with settings that range from football games to Chuck E. Cheese to the bathroom of a Motel 6, Helen enters adulthood as a disaffected homemaker grasping for agency. She marries the wrong man, gives birth to a child she is not ready to parent, and embarks on an affair that throws her life into chaos. But she never surrenders ownership of her story or her choices, insisting to the reader: “if you never owned a bone-sharp biography… / i don’t want to hear it. i want you silent. / i want you listening to me.

Blurring the line between mythology and modernity, Helen of Troy, 1993 is an unforgettable collection that shows the Homeric Helen like she’s never been seen before.

About the author(s)

Maria Zoccola is a poet and educator from Memphis, Tennessee. She has writing degrees from Emory University and Falmouth University and has spent several years leading creative writing workshops for middle and high school youth. Maria’s work has previously appeared in PloughsharesThe Kenyon ReviewThe Iowa ReviewThe Sewanee ReviewZYZZYVA, and elsewhere, and has received a special mention for the Pushcart Prize. Helen of Troy, 1993 is her debut poetry collection.

Reviews

"This exuberant début poetry collection recasts the titular heroine as an Appalachian housewife reckoning with the tyrannies of beauty, domesticity, and small-town gossip during the late twentieth century. Zoccola’s Helen is neither femme fatale nor damsel in distress; here, the 'face that launched a thousand ships' belies a person with a teeming, tenacious mind and implacable appetites. . . . Defiant, Helen sings of her rage against 'a life of small mercies and small choices,' illuminating the perennial struggle between a unique yet universal woman and the world that would confine her." —The New Yorker

"These poems expand, complicate and enrich . . . threading the Iliad into something wholly new." —NPR

"Zoccola has beautifully and resourcefully reimagined this mythic material and relocated it to Sparta, Tenn. . . . By doing so she has provided a witty and acute anatomy of small-town life and of our own American cultural and spiritual barrenness . . . What Zoccola achieves, while intermittently comic, is in fact quite searching in its explorations of a young Southern housewife. . . . Zoccola’s Helen has succeeded in joining her mythic forebear." —New York Times 

"This book is stunning, rife with poetic power, and a veritable tour de force. It’s the best book of poetry so far this year. It’s eminently teachable. It will win awards." —New Letters

"Wholly original . . . Zoccola’s Helen, resurrected in peacetime Tennessee, demands an audience for all 'the ugliest and most beautiful parts' of her epic, and in the telling, she finds her voice. . . . By making a new poem out of these traditional lines, Zoccola remakes Helen: a new woman who thrives in spite of neglect." —Los Angeles Review of Books
 
 "[A] raised fist of a debut . . . a collection as unruly as it is beautiful." —Four Way Review

"By transferring the basic outlines of Helen’s story to small-town Tennessee, Zoccola’s book plays up the mythic dimensions of grubby chain-store Americana and the mundane, complicated humanity of Greek myth. It’s sharp and a lot of fun." —New York Times Book Review (Editors' Choice)

"Stunning . . . a highly complex investigation into gender, power, autonomy, and self-determination."  —The Rumpus

"Employ[s] a mastery of language . . . The way Zoccola plays with form and engages with foundational texts such as Robert Fagle’s translation of The Iliad are what make the book electric. . . . rich, funny, and inventive." —Indianapolis Review

"A cheeky but smart reimagining." —Poetry Northwest
 
"Helen of Troy, 1993 masterfully transports Homer’s larger-than-life tale into small town Tennessee in the 90s . . .  a darkly immersive exploration of one woman’s life and psyche. . . . In inviting us to consider a classic through a modern and incisive lens, Zoccola crafts a stunning debut that will leave you hungering for more." —Southern Review of Books

"By turns hilarious and provocative, it's an affecting character study and modern mythic retelling." —Maya C. Popa, Publishers Weekly's "8 Books That Should Be On Your Radar in 2025"

"Mesmerizing . . . Zoccola merges the mythological and the modern, working a literary alchemy that erupts again and again into startling observation and formal surprise. . . . spellbinding . . . Zoccola’s confident, nuanced use of persona creates a voice that thrums with knowing urgency and fresh observation. She imbues her modern small-town Helen with a resonant sense of timelessness, and the result is an exhilarating debut." —Chapter 16

"[A] slick, stylish collection. . . . An undercurrent of ’90s Americana combines with Helen’s epic journey to create this wholly original and hotly anticipated work of narrative poetry." —Electric Literature

"Exceptional . . . Zoccola provides a winning combination of humor and enough pathos to make Homer proud. Accessible yet deep, this will be adored by seasoned poetry fans and casual readers alike." —Publishers Weekly (starred review)

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