Praise for Neal Asher:
“Neal Asher’s books are like an adrenaline shot targeted directly for the brain.” —New York Times bestselling author John Scalzi
“With mind-blowing complexity, characters, and combat, Asher’s work continues to combine the best of advanced cybertech and military SF.” ?Publishers Weekly, starred review
“Asher is a modern master of sci-fi.” —Starburst magazine
“A wide-screen special-effects extravaganza, a space opera featuring gods and monsters . . . Doc Smith and Olaf Stapledon in a blender, turned up to eleven, with the contents splattering across the ceiling.” ?Russell Letson, Locus
“Asher has an amazing talent for world-building, for writing larger-than-life characters, for weaving gripping plots and for imagining exotic alien races and wonderful technologies. Huge ships! Big weapons! Space battles! Ground battles! Treason! Revenge! This is New Space Opera at its best.” —Sense of Wonder
“Hardboiled, fast-paced space opera . . . Asher’s books are similar to the world of Iain M. Banks’ Culture universe, but the Polity is arguably a much darker and more vicious environment—and all the better for it.” —The Register
Description
During a war between two planets in the same solar system – each occupied by adapted humans – what is thought to be a cosmic superstring is discovered. After being cut, this object collapses into four cylindrical pieces, each about the size of a tube train. Each is densely packed with either alien technology or some kind of life. They are placed for safety in three ozark cylinders of a massively secure space station. There a female research scientist subsequently falls pregnant, and gives birth to quads. Then she commits suicide – but why? By the end of the war one of the contesting planets has been devastated by the hilldiggers – giant space dreadnoughts employing weapons capable of creating mountain ranges. The quads have meanwhile grown up and are assuming positions of power in the post-war society. One of them will eventually gain control of the awesome hilldiggers . . .
