“A punchy mix of crime and Kentucky coal-mine sociology . . . It’s one of Leonard’s best thrillers in years.” — Entertainment Weekly
“With a practised ease and the craft of more than half a century of novelistic composition, Leonard works like the Picasso of crime fiction . . . Raylan is as close as it gets to creating the complete illusion of unmediated entertainment on the page.” — San Francisco Chronicle
“In addition to kinetic storytelling and spot-on dialogue, Leonard has a cool wit. . . . Characters roll from scene to scene, urged on by self-interest and greed, bumping against one another and building up steam until they’re smashing together in orgies of violence.” — New York Times Book Review
“Raylan is Leonard’s best of the 21st century—good stuff from first page to last.” — Los Angeles Times Book Review
“The smarter crooks give Raylan grudging respect; his fellow lawmen grant him their highest praise: ‘You’re doin’ a job the way we like to see it done.’ The same can be said of the 86-year-old Elmore Leonard.” — Wall Street Journal
“[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” — Detroit News
“There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy. . . . Like pretty well every Leonard novel, Raylan is a delight.” — The Guardian (UK)