Scream with Me

Horror Films and the Rise of American Feminism (1968-1980)

Description

A LOS ANGELES TIMES MOST ANTICIPATED BOOK OF 2025

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.


In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden epiphany: horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream.

With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.

While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

About the author(s)

Eleanor Johnson is a professor of English and comparative literature at Columbia University. She is the author of four books: Scream with MePracticing Literary Theory in the Middle AgesStaging Contemplation, and the award-winning Waste and the Wasters, as well as two collections of poetry, The Dwell and Her Many Feathered Bones.

Reviews

“Riveting, enlightening, and occasionally scream-inducing. . . . This deep excavation of art imitating life is more than positive affirmation for horror fans; it is a call—or scream—to action.” —Shelf Awareness

“Accessible and thought-provoking . . . Johnson examines the struggles of the women's-rights movement by looking at six films in the subgenre of domestic horror that, while couched in the supernatural and extraterrestrial, reflected the lived realities of countless women.” —Library Journal

“[With] sharp historical observations and astute readings, [Johnson pulls] dark political realities from movies that on the surface are about extraterrestrial or supernatural realms. This astute survey will fire up readers to fight back against the patriarchy.” —Publishers Weekly

“For every woman who knew, deep down, her best bet was to be a final girl… Johnson’s witty, sharp analyses of horror will get you to the other side. With government-sanctioned misogyny on the rise, there couldn't be a better time.” —Cat Bohannon, New York Times bestselling author of Eve

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