The Belles

“Keeping secrets carries consequences in Dunham’s moody 1951-set debut…[and] a macabre discovery on campus in 2002 hint at impending fireworks. Fans of dark academia will find much to savor.” –Publishers Weekly

"Debut novelist Dunham juggles gothic elements including a nasty poetry professor, a drunken misery of a housemother, and glimpses of ghosts in the campus trees. Both a time capsule, and a ticking bomb, of womanhood repressed in service of societal conformity." -Kirkus Reviews

"Dunham delivers a deliciously fun take on dark academia with her deftly crafted novel that makes the most of its spooky, atmospheric 1950s setting and the stifling Stepford-like community of faculty and students that make up the book’s maleficent cast of characters.

Readers who fell for the unsettling charms of Shirley Jackson’s or Daphne du Maurier’s stylish, gothic-imbued brand of horror and anyone who loved the cliquish, killer cast of characters in Donna Tartt’s The Secret History will be enthralled with Dunham’s exemplary debut." -Library Journal (starred review)

“Dunham expertly plumbs the depths of female friendship, the intoxicating blend of losing yourself to something greater, and a need for belonging that can border on dangerous. The Belles is dark academia with gothic Yellowjackets vibes.” –Vera Kurian, author of Never Saw Me Coming

“As I read this novel, heart in throat, I couldn't decide what was more terrifying: Bellerton itself, dripping with darkness, or the Belles, the girls who are both the school's victims and its most fervent acolytes. A gothic tantalizing fever-dream of a novel about the nightmares of class, power, propriety, and, under certain circumstances, girlhood itself.” –Clare Beams, author of The Garden

“An impeccable campus noir. In Dunham’s dazzling debut, the girls of Bellerton college are ensorcelled by the ornate traditions they encounter when they arrive at the crumbling South Hall, but the secrets kept by the residents of that drafty dorm will prove fatal. A novel about the youthful, heady quest for sisterhood and the risk of considering a stranger family, The Belles is perfect for fans of Meagan Abbott and Rachel Hawkins.” –Katy Hays, New York Times bestselling author of The Cloisters

“A delightfully dark, Southern Gothic suspense. The Belles, as they call themselves, are the envy of their classmates, but with disappearances and accidents around every corner, what price will they pay to belong? With haunting prose, The Belles drew me in and kept me up late at night.” – Lauren Ling Brown, National Bestselling author of Society of Lies

"Lacey N. Dunham's The Belles is hauntingly seductive - Gothic Suspense at the top of its game! Both atmospheric and compelling, The Belles beckons you in from the first page, takes hold, and doesn't let go until the very last word. Completely engrossing! A beautifully written, tautly-plotted debut sure to captivate readers and leave them breathless." – Sophie Stava, author of Count My Lies

“Vicious and delicious, The Belles is one smart gobble of a novel. Dunham deftly explores the darkest perils of girlhood and the terrible lengths we go to in our desire to belong.” – Joanna Pearson, author of Bright and Tender Dark

"Seductively immersive and brilliantly gothic, The Belles beautifully mines the depths and complexities, the dangers and cruelties, of young womanhood within the confined and explosive space of a 1950's southern all-girls' school. Lacey N. Dunham is a writer not only of compelling story but of rich and unforgettable characters, a creeping, immersive setting, and continually stunning sentences." –Lynn Steger Strong, author of Flight and The Float Test

“Keeping secrets carries consequences in Dunham’s moody 1951-set debut…[and] a macabre discovery on campus in 2002 hint at impending fireworks. Fans of dark academia will find much to savor.” –Publishers Weekly

“Keeping secrets carries consequences in Dunham’s moody 1951-set debut…[and] a macabre discovery on campus in 2002 hint at impending fireworks. Fans of dark academia will find much to savor.” –Publishers Weekly

“Keeping secrets carries consequences in Dunham’s moody 1951-set debut…[and] a macabre discovery on campus in 2002 hint at impending fireworks. Fans of dark academia will find much to savor.” –Publishers Weekly