Description

The award-winning author of modern classics such as Schindler’s List and Napoleon’s Last Island is at his triumphant best with this “engrossing and transporting” (Financial Times) novel about the adventures of Charles Dickens’s son in the Australian Outback during the 1860s.

Edward Dickens, the tenth child of England’s most famous author Charles Dickens, has consistently let his parents down. Unable to apply himself at school and adrift in life, the teenaged boy is sent to Australia in the hopes that he can make something of himself—or at least fail out of the public eye.

He soon finds himself in the remote Outback, surrounded by Aboriginals, colonials, ex-convicts, ex-soldiers, and very few women. Determined to prove to his parents and more importantly, himself, that he can succeed in this vast and unfamiliar wilderness, Edward works hard at his new life amidst various livestock, bushrangers, shifty stock agents, and frontier battles.

By reimagining the tale of a fascinating yet little-known figure in history, this “roguishly tender coming-of-age story” (Booklist) offers penetrating insights into Colonialism and the fate of Australia’s indigenous people, and a wonderfully intimate portrait of Charles Dickens, as seen through the eyes of his son.

About the author(s)

Thomas Keneally began his writing career in 1964 and has published thirty-three novels since, most recently Crimes of the FatherNapoleon’s Last IslandShame and the Captives, and the New York Times bestselling The Daughters of Mars. He is also the author of Schindler’s List, which won the Booker Prize in 1982, The Chant of Jimmie BlacksmithGossip from the Forest, and Confederates, all of which were shortlisted for the Booker Prize. He has also written several works of nonfiction, including his boyhood memoir Homebush BoyThe Commonwealth of Thieves, and Searching for Schindler. He is married with two daughters and lives in Sydney, Australia.

Reviews

“An engrossing and transporting read.” —Financial Times

“[An] absorbing novel…Plorn himself is a joy” —The Times

“Keneally has brought off a notable double: a delightful and continuously interesting portrayal of mid-19th century life in the rolling sheep pastures of New South Wales and an acute and persuasive examination of the mystery that Charles Dickens still presents, and of the enduring fascination he exerts over us today.” —Scotsman

“The Dickens Boy…is energetic, even exuberant. It is in love with the abundance of life it negotiates.” —The Sydney Morning Herald

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