Description

From No.1 bestselling author Andrew Taylor comes the sequel to the phenomenally successful The Ashes of London

Over 1 Million Andrew Taylor Novels Sold!

A time of terrible danger…
The Great Fire has ravaged London. Now, guided by the Fire Court, the city is rebuilding, but times are volatile and danger is only ever a heartbeat away.

Two mysterious deaths…
James Marwood, a traitor’s son, is thrust into this treacherous environment when his father discovers a dead woman in the very place where the Fire Court sits. The next day his father is run down. Accident? Or another murder…?

A race to stop a murderer…
Determined to uncover the truth, Marwood turns to the one person he can trust – Cat Lovett, the daughter of a despised regicide. Then comes a third death… and Marwood and Cat are forced to confront a vicious killer who threatens the future of the city itself.

About the author(s)

Andrew Taylor is the author of a number of crime novels, including the ground-breaking Roth Trilogy, which was adapted into the acclaimed drama Fallen Angel, and the historical crime novels The Ashes of London, The Silent Boy, and The American Boy, a No.1 Sunday Times bestseller and a 2005 Richard & Judy Book Club Choice.

He has won many awards, including the CWA Ellis Peters Historical Award (the only author to win it three times) and the CWA’s prestigious Diamond Dagger.

Reviews

‘Andrew Taylor’s historical crime novels have proved a benchmark for the genre, and The Fire Court is no exception. Cunningly plotted and movingly written, it’s a fascinating portrait of a city, and its people, recovering from trauma’ Mick Herron, bestselling author of Slow Horses

‘This is how historical crime should be written, with rich authenticity underpinning a twisting plot’ The Times

‘Marwood and Lovett’s search for a killer in the sooty streets of 1660s London is an atmospheric pleasure, full of twists and memorable characters’ The Times

‘With a fast-moving, complex plot underpinned by solid but unobtrusive research and plenty of drama and intrigue, Taylor brings the 17th century to life so vividly that one can almost smell it’ Guardian

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