Description

An extraordinary and deeply satisfying story about love, betrayal, mercy, and second chances—for readers of Elizabeth Strout and Ann Napolitano

When Stafford Hopkins loses his high-profile job in network television, his American colleagues rejoice. Canadian-born, his disdain for the industry has outrun his success, and few mourn his departure. His mercurial American wife in tow, he retreats to their luxury estate on Maui where he does what he has always done best―he rewrites the past. But a year into their exile, Stafford’s defenses are crumbling, and when a letter arrives with a request from the dead to do something for the living, he is summoned home to a farm, a lake, a prison, and a dance hall where the spirit of a boy named Bobby Shepherd is waiting for him.

“Patricia Finn has constructed something miraculous—an immersive, profoundly moving story about friendship, marriage, betrayal, and redemption that spans across generations and oceans. She writes with a philosopher’s deep wisdom, and a screenwriter’s talent for satisfyingly messy characters and wholly gripping plots. Combine all of that with the fact that The Golden Boy is also very, very funny, and what you’ve got is a novel that’s about as perfect as they come.” —Grant Ginder, author of The People We Hate at the Wedding

About the author(s)

PATRICIA FINN is a writer, ghostwriter, and editor. She was educated in Canada and New Zealand, where she completed post-graduate work in English and classics with a focus on Aristotle and Athenian tragedy. She has worked for television networks and production companies in both countries, including CBC and Television New Zealand. She has family roots in Canada and the United States and now lives in Vancouver. 

Reviews

The Golden Boy is not just an astoundingly ambitious novel, but also—and more importantly, in my opinion—a wildly entertaining one, by turns hilarious and heartbreaking. Bravo, Patricia Finn!” — Richard Russo, author of Empire Falls, and the North Bath trilogy of Fool novels

“Patricia Finn has constructed something miraculous—an immersive, profoundly moving story about friendship, marriage, betrayal, and redemption that spans across generations and oceans. She writes with a philosopher’s deep wisdom, and a screenwriter’s talent for satisfyingly messy characters and wholly gripping plots. Combine all of that with the fact that The Golden Boy is also very, very funny, and what you’ve got is a novel that’s about as perfect as they come.” — Grant Ginder, author of The People We Hate at the Wedding  

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