The Red Hotel

Moscow 1941, the Metropol Hotel, and the Untold Story of Stalin's Propaganda War

Description

The untold history of Moscow's Metropol hotel—a fervent spot of intrigue, secrets, and the center of Stalin's nefarious propaganda during WWII.

*A Washington Post Best Book of the Year*

In 1941, when German armies were marching towards Moscow, Lenin’s body was moved from his tomb on Red Square and taken to Siberia. By1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battlefront, and a ban on contact with ordinary citizens.

The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire’ were never reported and the most outrageous Soviet lies went unchallenged.

But beneath the surface, the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time. 

At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin’s ruthless control of the wartime narrative lived on in the Kremlin.  From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralization of independent states, the story of the Metropol mirrors the struggles of our own modern era.

About the author(s)

Alan Philps served as Moscow correspondent for Reuters and the Daily Telegraph. He has been foreign editor of the Telegraph and editor of The World Today, the Chatham House magazine. His book, The Boy from Baby House 10, captured the mood of Russia in the 1990s through the experience of an abandoned child. It has been translated into five languages, turned into an NBC documentary, and the film rights are currently optioned by Footprint Films. 

Reviews

"In this tale of intrigue and suppression, Philps, a journalist, investigates what happened when Stalin decided to allow the Anglo-American Press Corps into the U.S.S.R. — on his terms, of course — between 1941 and 1945. Correspondents were installed at the once-luxurious Metropol Hotel, where they were feted, monitored and fed a steady diet of Kremlin propaganda."

The New York Times Book Review

“In The Red Hotel, Mr. Philps conveys Nadya Ulanovskaya’s story in stirring detail, both her improbable adventures before World War II and the ordeals she experienced in the Gulag. Stalin’s tight control of what could be reported—whether from the Metropol or elsewhere—didn’t fool everyone.” 

The Wall Street Journal

“Philps’s book vindicates the value of truth, most of all by depicting the lengths that a rare few will go to share it. Yet Philps is also clear-eyed enough to show that truth will not always come out — at least, not easily, and not without cost.”

The Washington Post

“An unsettling account of how a cadre of foreign correspondents in Moscow during World War II were pressed to acquiesce to the Kremlin’s censorship. Philps’s thoughtful narrative puts their work into the appropriate historical context. An authoritative history of the terrible ramifications of the silence about Stalin’s lies.”

Kirkus Reviews