The Speechwriter

"[Swaim's] book is not a tell-all or an effort to settle scores. Instead, it’s a wryly funny, beautifully written, sometimes bewildered, always astute dissection of what it is like to perform a thankless job for an unreasonable person in a dysfunctional office during a period of unusual turmoil. . . . Swaim is so talented a writer, and has such an eye for a telling detail, that you suspect you could put him in any workplace—chicken-processing plant, airport sunglass emporium, stoner skate park—and he would make it come alive in the best possible way. . . . He may have been unsuccessful as a platitudinous speechwriter, but he has produced a marvelously entertaining book."

“The most ‘instant classic’ book I’ve read this year. . . . Revealing and unusual: a political memoir that traffics in neither score-settling nor self-importance but that shares, in spare, delightful prose, what the author saw and learned. The Speechwriter feels like Veep meets All the King’s Men—an entertaining and engrossing book not just about the absurdities of working in the press shop of a Southern governor but also about the meaning of words in public life.”

"This is the truest book I've read about politics in some time, hilarious and sordid and wonderfully written."

“[Swaim] writes . . . in a breezy, elliptical manner, letting his material work for him. . . . Swaim is insightful not only about Sanford but about the nature of modern political communications. . . . Although it left me feeling slightly dubious about democracy, I have no trouble calling The Speechwriter, with its gloomy reflections and wonderfully vivid character sketches, the best American political memoir written in my lifetime.”

"A masterpiece."

"Barton Swaim's little jewel of a memoir reads like the best political fiction. Beyond taking you into the core of an epic political meltdown, Swaim's funny story also illuminates the eroding standards of language, the oddities of office life and the exquisite torture of working for a narcissistic and unappreciative boss."

"At last: a political memoir 100-percent free of axe-grinding, score-settling, and self-promotion. What’s left? A beautifully written, hilariously human inside look at a certain governor’s ruinous, um, hike on the Appalachian Trail."

"Politicians don’t always come with warm smiles and narcissistic dispositions, but it was Barton Swaim’s bad luck to work for one, and our good luck that he stayed long enough to tell his very funny tale."

"Swaim's book is an uproariously funny and sometimes just weird story of idealistic belief and politics corrupted by narcissism and ruined by scandal. Unfortunately it's all too true."

“A wry and eloquent memoir . . . offering an inside look at the life of a political wordsmith and, along the way, a portrait of a politician who was his own worst enemy. Beautifully written . . . The Speechwriter is a cautionary tale and well-timed, appearing as the race for the White House intensifies, with politicians crowding rooms hoping to impress and true believers hanging on every word they say.”

“Darkly humorous. . . . Anyone who’s ever sought to maintain sanity in an absurd workplace knows that it requires a kind of gallows humor, a tone Swaim maintains throughout this terrifically entertaining book.”

“Swaim's Veep-like experience of working for Sanford supplied him with a book's worth of mortifyingly hilarious anecdotes, and he tells them exceptionally well. But the greatest value of The Speechwriter is the deeper truths about political language, and the people who employ it, that Swaim learned during his tour of duty. . . . The best book about politics I've read in years.”

“A deeply humane study. . . . Swaim is plainly a gifted writer. His professional experience shows in a firm, easy command of language; with disciplined consistency, his sentences do what they’ve been ordered to do. There’s a smooth economy to his prose, which rarely staggers or overheats. If it isn’t always lyrical, it still has a lean charm that more writing should. . . . The Speechwriter [is] urgent reading, for both its literary and civic merits.”

"The governor's marital infidelity . . . and other moral shortcomings take a back seat here. And deservedly so, for Swaim's approach is far more entertaining and, if you care about language, far more indicting. He describes an administration in which the mistreatment of language—and staff—was commonplace."

“It would be hard to find a better book in the year leading up to the 2016 election than Swaim’s memoir. . . . His account is unlike the usual political insider’s story. For one thing, it’s better written, funnier too, blessedly concise, and free of huffing and puffing.”

“One of the few good books about speechwriting. . . . [Swaim] has a fine eye, a gift for satire, and a clean, clear style. . . . Highly readable and entertaining.”

“In an elegiac tone that recalls Robert Penn Warren’s classic novel All the King’s Men . . . [The Speechwriter] is less an account of a politician’s fall than an inquest into mass democracy. . . . His speechwriting days may be over, but Swaim seems to have found his true voice.”

“A must-read.”

“A deftly funny look at life inside the Sanford bubble and a thoughtful, clear-eyed account of what it takes to put words in the mouth of a politician in love with the sound of his own voice.”

"Excellent.”

“[The Speechwriter] is brilliant. It’s not a 'tell-all,' nor is it even really an attack on Sanford. Instead, The Speechwriter is a dead-on depiction of life inside a modern day political spin room--with Swaim demonstrating on every page the supreme talent he brought to the table. Talent which Sanford wasted. . . . As for the politician chronicled by the book? Swaim nails him. The Speechwriter doesn’t just provide us the occasional glimpse into Sanford’s confounding eccentricities and chronic narcissism--it literally exposes the flawed essence of the man.”

“The Speechwriter is a funny book. Grammarians and word nerds will certainly love it. Political junkies too. . . . But for more than anyone else, The Speechwriter will appeal to other writers.”

“Highly amusing. . . . A remarkable account of a political education told with humor and insight.”

“A highly readable account of [Swaim’s] three years in the governor’s employ. Part All the King’s Men and part Horrible Bosses, it’s fascinating and almost impossible to put down.”

“An entertaining inside look at state politics and how the wheels of executive office grind. . . . Demonstrating empathy mixed with appropriate caution . . . [Swaim’s] report on his experiences as a governor’s idea man is a fine, sometimes brilliant foray into the nature of contemporary politics, the charismatic narcissists who seek high elected office, and the enablers who allow them to dance in the spotlight.”

“The narrative is strongest in its quiet reflection of the end of Swaim's political innocence. As [Swaim] came to realize, democracy—with its promise of liberty and justice for all—is ultimately based on rhetorical manipulation of the masses.”

“A candid, witty look inside the world of high-stakes politics. . . . A humorous and sobering glimpse inside the modern political crucible.”