The Phnom Penh Post

Don’t binge this online show

- Stephanie Merry

NETFLIX presented a challenge to seasoned binge-watchers with its release of Black Mirror on Friday. With just six episodes, at about an hour a pop (plus one 90-minute installmen­t), could fans finish the whole cache by the time Saturday morning rolled around?

With Netflix and Amazon dumping whole seasons all at once, we’re getting used to instant gratificat­ion. But what if a show isn’t meant to be binged? That seems to be the case with Black Mirror, a British series that debuted in 2011 and follows the Twilight Zone template of presenting a new, mind-bending story with each episode. Here are a few reasons why the show is best appreciate­d in individual doses.

For starters, the show can be deeply depressing. Most of the series takes place in a twisted version of our present day, in which technology has shackled us in various ways. The first episode to ever air followed a British prime minister at a crossroads. After the abduction of a beloved princess, the kidnappers explain the only way to free the woman is for the countr y’s elected leader to have sex with a pig on national television. The episode is fascinatin­g, as the prime minister tries to figure out a way out of the, um, pickle, but it’s also deeply sickening. Black Mirror has a way of making a viewer feel disgusted in a visceral way.

This season, the most trou- BlackMirro­r bling episode is entitled Shut Up and Dance. The main character, Kenny, seems like a good kid, so it’s almost unbearably uncomforta­ble to watch as he’s targeted by an anonymous adversary who blackmails him into doing increasing­ly awful and illegal things. And if the lead-up is nauseating, the finale is a punch to the gut.

You know what’s not a good remedy for such a grotesque feeling? More of the same. An episode of Master of None or Nosedive. a similar comedy would be a much better palate cleanser.

The more you think about episodes of Black Mirror, the more profound they become. On the surface, an episode like Nosedive is a critique of our Instagramm­ed lives, where we’re always putting only our happiest face forward. The story is about a world where each person’s every move can be rated on a five-point scale, and everyone’s self-worth is entirely tied to his or her overall score. So an airport melt- down, for example, isn’t going to do anyone any good.

The episode gave viewers a lot to unpack. This society was terrifying in a way, but also sort of intriguing. Wouldn’t it be nice if everyone acted a little kinder to each other – even if it was just a bid to get more points? But the episode was also a commentary on the way social media turns people into addicts, desperate for likes. It even delved into censorship. Because these citizens were terrified of offend- ing one another, they were never truly free to speak their minds. The more you think about Nosedive, the more brilliant it becomes, but you have to give yourself the time and space to fully appreciate the intricacie­s.

Since ever y episode is a self-contained stor y, there’s never a cliff hanger – at least not one that will be rectified by another episode. In some ways, the Netflix and Amazon model for series releases has turned show-watching into something like an extreme sport: How fast can a viewer plow through a season? But there’s no reason to rush with Black Mirror.

We keep coming back to Game of Thrones because we want to know who’ll end up on the Iron Throne. We return to The Americans because we have to figure whether Elizabeth and Phillip will survive the Cold War without being outed. Most shows present us with one big mystery (plus a lot of smaller ones) to keep us invested. We’re always pointed toward some destinatio­n we’re getting closer to reaching.

But ever y episode of Black Mirror presents us with a fresh twist on our reality, a new troubling conundrum that will be solved by the time the credits roll. There’s no show that better proves why we should remain in the moment – and not just because the outcomes are often so distressin­g. The journey into all of these weird worlds is what’s most interestin­g; that’s why each episode gives us a new one.

 ?? DAVID DETTMANN/NETFLIX ?? Bryce Dallas-Howard in the episode
DAVID DETTMANN/NETFLIX Bryce Dallas-Howard in the episode

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