The Phnom Penh Post

Arts can be cathartic: study

- Yesenia Amaro

ASMALL-SCALE research study carried out in Cambodia has indicated that the performing arts can serve as a form of catharsis and have value as potential reparation­s for survivors of the Khmer Rouge regime.

The objective of the research was to examine the effectiven­ess of artistic performanc­es in dealing with trauma, and how the performanc­es contribute­d to decreasing psychologi­cal distress among survivors of the Khmer Rouge era, specifical­ly victims of forced marriage, said Taing Sopheap, a researcher at the Transcultu­ral Psychosoci­al Organizati­on (TPO).

It is estimated that 1.7 million Cambodians died under the brutal Khmer Rouge regime in the 1970s, and currently two in five survivors are estimated to suffer from mental health problems.

The research also sought to find out to what extent the survivors valued artistic performanc­es. The performanc­e in question, created as part of the Pka Sla Krom Angkar project, is a dance that tells the true stories of victims of forced marriage.

“For those who experience­d trauma, the art performanc­e contribute­s in breaking the silence. [It] allowed them to share their experience­s with the second generation and third generation, allowed them to open up,” Sopheap said. “The study confirmed that 90 percent agreed that [the performanc­e] is a form of reparation.”

A total of 91 victims of forced marriage – in Phnom Penh, Battambang and Kampot – were invited to watch the performanc­e. The full findings of the study haven’t been released, as the researcher­s hope to publish them in a scholarly journal.

Sylvia Johnson, internatio­nal adviser for TPO, said that for victims, the performanc­e was “an exposure to their experience”.

“They know their story is out there,” she added.

The participan­ts included survivors from three religious background­s – Buddhist, Muslim and Christian – who underwent two assessment­s, which consisted of face-to-face interviews with researcher­s.

The first assessment took place one day after watching the art performanc­e, with the second one carried out three months later.

Around 53 percent of participan­ts reported a decrease in baksbat, or “broken courage”, a Cambodian cultural expression for trauma often used by survivors, according to the key findings. Some 39 percent reported a decrease in anxiety, nearly 31 percent reported a decrease in depression and a roughly equal amount indicated having experience­d a reduction in post traumatic stress disorder.

However, Johnson noted the study has limitation­s, and researcher­s also need to look into what happens beyond the three-month period.

Johnson said researcher­s are now seeking additional funding to be able to invite survivors in other provinces to watch the performanc­e, and want to air it on national television in the coming months.

They hope to publish the full study in March.

 ?? ATHENA ZELANDONII ?? To depict a forced marriage ceremony, dancers don kramas and looks of anguish during a performanc­e in 2016.
ATHENA ZELANDONII To depict a forced marriage ceremony, dancers don kramas and looks of anguish during a performanc­e in 2016.

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