The Phnom Penh Post

Film on church abuse moves Berlin film fest

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ONE of France’s most acclaimed directors presented a wrenching new drama on Friday based on real-life victims of rampant sexual abuse in the Catholic church, as an accused priest tried to block the picture’s release later this month.

Francois Ozon, 51, worked for years in secret on By the Grace of God, which was warmly applauded at a press preview at the Berlin film festival ahead of its gala premiere.

It is the most-high profile dramatisat­ion of the systematic cover-up of widespread sexual molestatio­n by clergy since the Oscar-winning Spotlight, set in Boston and released in 2015.

But even before the premiere, a priest accused of molesting more than 80 boys, Bernard Preynat, has gone to court to demand that the film not be shown in France until after his trial, which is due to start later this year.

A lay voluntary worker for the Lyon diocese, Regine Maire, has also issued a legal challenge to have her name removed from the picture.

The movie’s premiere comes as Cardinal Philippe Barbarin, the archbishop of Lyon, and five others including Maire await a verdict on charges of covering up the abuse.

Ozon – best known for Swimming Pool and 8 femmes – said he had hoped the tortuous series of cases would have finished by now, but the film should be shown for “the public good”.

‘Breaking the silence’

“When you try to break the silence, there is always resistance,” he said.

“I don’t think this is happening by accident, because it is a film which is trying to break an omerta, and which deals with the silence.”

The scandal first broke in 2015 when a former scout, Francois Devaux, went public with allegation­s that Preynat had abused him as a child 25 years earlier.

Preynat was suspended by the church later that year and it eventually emerged that the cardinal had confronted him about “the rumours” in 2010 but the priest claimed he had changed.

Four years later Barbarin went to the Vatican about him without contacting the police.

The film traces those events but st icks close to t heir emotional impact on theGraceof­God t hree v ictims-turned-activists, who begin to confront t heir trauma publicly with t he genera lly strong support of t heir fa milies.

Ozon said he had consulted several members of the survivors’ group, La Parole Liberee (Freed Speech), Devaux set up, which has gathered the testimony of 85 people who claim to have been abused by Preynat in Lyon.

But the director said he tried to be “as even-handed and objective as possible. It is not a film of goodies and baddies, it is much more complex than that for the affected families and the institutio­n itself, and I tried to show that”.

By the Grace of God centres on Devaux and Alexandre Dussot-Hezez, “a fervent Catholic who discovers at the age of 40 that a priest who abused him is still alive and has access to children” through the church.

Devaux said that Ozon’s approach to the victims’ painful experience­s had been “very humane and very passionate” given the fact that for them and their families, they had been like “time bombs” waiting to go off.

Painful revelation­s

Ozon said he wanted to show the “negative repercussi­ons [victims can suffer] and the distressin­g boomerang effects on their partners, children, families and friends”.

Asked about Preynat’s bid for an injunction, Ozon insisted there were no major factual revelation­s in the film for anyone who has been following the case.

“We are facing some pressure regarding the release of the film but everything in it is already well-known in France,” he told reporters in Berlin.

“Most of the people attacking us haven’t seen the film yet.”

The filmmaker hopes his intimate portrait of the victims’ fight for justice will spark greater understand­ing of a difficult subject that mainstream cinema has rarely confronted.

Ozon said the reaction from several French bishops and senior clergy who have seen the film had been positive, adding that he hoped it would provoke debate beyond France.

“The church seems to be changing its stance on the scourge of paedophili­a and the silence hanging over it,” he said. By

 ?? AFP ?? French director Francois Ozon arrives for the premiere of the film during the 69th Berlinale film festival on Friday.
AFP French director Francois Ozon arrives for the premiere of the film during the 69th Berlinale film festival on Friday.

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