Roma takes Bafta glory in major coup for Netflix
NETFLIX black-and-white production Roma triumphed at the Bafta film awards, boosting Oscar hopes for the US streaming giant whose rise poses a serious challenge to the conventional Hollywood business model.
The cinematic love letter to director Alfonso Cuaron’s 1970s childhood in Mexico City beat black comedy The Favourite to win best film and best director.
“I’m seriously touched this film has been received the way it’s been received,” Cuaron said at a star-studded ceremony on Sunday in London’s Royal Albert Hall, also attended by Prince William and his wife Kate.
Cuaron thanked Netflix for “having the courage” to get behind his film as he picked up the gong, adding that its success “in an age where fear and anger are proposed to divide us means the world to me”.
Roma portrays domestic strife and social hierarchy amid political turmoil and focuses on a housekeeper and nanny called Cleo, played by indigenous actress Yalitza Aparicio.
Netflix dented expectations of a clean sweep by The Favourite which picked up best actress for Olivia Colman as Queen Anne and best supporting actress for Rachel Weisz playing her confidante and lover.
The film, about a cantankerous 18th-century British queen and her scheming court, had been nominated for 12 awards and picked up seven in what Colman described as an “amazing night” for the cast.
Colman’s co-star Emma Stone was nominated in the same category as Weisz.
Colman, 45, was up against Glenn Close ( The Wife) and Lady Gaga ( A Star is Born) – the same power duo she will face at the Oscars on February 24, with Close so far the clear frontrunner.
Weisz and Stone are also in the running for Oscars in a proud year for the British film industry.
Red carpet for Netflix?
Roma is up for best picture at the Oscars – Netflix’s first-ever nomination which has propelled it into the Hollywood club of elite filmmakers.
While the online service has gradually been welcomed at most major film festivals, Tinseltown’s red carpet is not fully rolled out, with cinemas up in arms about its position as a distribution king attracting A-list stars.
After the Oscar nominations Roma were announced, theatre mega-chains AMC and Regal – the top two in America by far – said Roma would not be screened in their annual bestpicture showcases.
In all, Roma was shown in around 900 theatres worldwide – more than any other Netflix film, but far short of a usual big release. Netflix never released any box office data.
While Netflix has made some good-faith efforts to gain Hollywood’s acceptance, it only waited three weeks after the theatre release of Roma to make it available on its platform, far less than the 90 days that cinema owners ask studios to hold back.
‘Serious allegations’
Last year’s Bafta ceremony saw Hollywood stars paint the red carpet black in solidarity with the #MeToo movement.
The 2019 edition has also been tinged by scandal.
Bafta removed Bohemian Rhapsody director Bryan Singer from the Queen biopic’s citation in the outstanding British film nomination “in light of recent very serious allegations”.
That referred to an article in US magazine The Atlantic detailing sexual misconduct allegations that included underage sex.
Singer denies the story and the film itself was still up for the award, although it failed to win.
Rami Malek’s portrayal of the late Queen frontman Freddie Mercury – a victim of the AIDS epidemic in the days when homosexuality was taboo in rockand-roll – earned him the best actor award, however.
After winning he paid tribute to Mercury as “the greatest outsider of them all”.
Having seen off Christian Bale’s transformation into former US vice-president Dick Cheney in Vice, Malek’s victory may boost his chances at the Oscars.
The two are both in the running for best actor, with Bradley Cooper also nominated for A Star is Born in an increasingly tight race as final voting opens on Tuesday and closes on February 19.
Best supporting actor at the Baftas went to Mahershala Ali for Green Book, a comedydrama in which he plays a jazz pianist on a tour of America’s Deep South in 1962.
Free Solo – a film about the first person to climb El Capitan in Yosemite National Park without ropes – won the award for best documentary.