Mirror on Nature
NATURE ON MIRROR
A deconstructed hotel by Uruguay’s MAPA doesn’t just blend into its bucolic setting – it “amplifies” it
A hotel that nearly disappears
within a reflection of its surroundings may seem like the ultimate in low-impact tourism. But the ethereal, mirrorclad facade of Uruguay’s Sacromonte Crafted Wines and Landscape Hotel, a getaway designed by Montevideo-based firm MAPA, reveals only part of the project. Indeed, walk around to the other side of the building – one of four 60-square-metre units spread out over the 100-hectare site – and you’ll see a riot of wood: a facade inspired by firewood cords, composed of variously sized logs cut to 25-centimetre lengths. Stacked together and attached to the building’s steel frame, they make for a nearly 40-centimetre-thick wall – and create a stark contrast to that filmy one-way mirror. As it turns out, MAPA doesn’t want to blend in to the landscape; it seeks to heighten it, to combine the cultural and the natural with the express intent of improving both. What the firm calls a landscape hotel forms part of a vineyard experience developed in Uruguay’s Maldonado Department by Edmond Borit, a Peruvian food executive who fell in love with the country while working there over 10 years. “It’s like the wine,” MAPA architect Diego Morera says of the brief. “There are only five hectares of vineyards. Sacromonte has the possibility to cultivate a much larger area, but in order to keep the wine quality high, they don’t want all the landscape to be used as a productive space. It’s the same for the hotel.”
The initial result is just four shelters – each made of pre-fab steel – that respond to their particular settings. Perched on individual, uniquely shaped decks with private sunken pools, the single-family retreats are equipped with a king-size bed, a niche with a daybed suitable for a child and a wood-burning fireplace (for ambience and to cook food that may be delivered to order). The layouts are organized as a series of what MAPA describes as longitudinal planes: The sleeping and dining zones are separated by sliding doors, while the kitchen and bathing areas are located behind a wood wall. By mid-2019, there will be a central reception building and nine more shelters (each 25 square metres). According to the master plan, however, none of these elements will be visible from any other, allowing guests to enjoy their surroundings in solitude and making for something of a deconstructed hotel. Wine lovers journeying to this idyllic landscape are met at a small, grassy parking lot – on the far side of a hill that masks the site from the road – by staff in small electric vehicles. Once delivered to their rooms, guests will find their own electric cars to get around the site. As they wander, whether by car or on foot, they’ll encounter various “landscape amplifiers” crafted by Portugal’s Portilame in cross-laminated timber. These include a chapel, three 2.5-metre-long kaleidoscopes and a long table that can comfortably seat 50. “Because the vineyards are so small,” says MAPA architect and co-founder Andrés Gobba, “Sacromonte seeks to offer, in the 100 hectares, many microlandscapes to be explored. There’s an old marble quarry, a big hill, the vineyards, a lawn and a stream with native vegetation. We wanted to enhance and leverage them so visitors can experience them properly.”
“[There are] many microlandscapes to be explored. We wanted to enhance and leverage them so visitors can experience them properly”
By mid-2019, there will be a central reception building and nine more shelters … none visible from any other
These amplifiers are meant to both draw attention to themselves – they are not natural shapes or scales – and redirect the viewer’s gaze to the landscape. The table, with its eccentric cut-outs, is set on grass and offers sunset vistas during communal tastings of Sacromonte’s small-batch wines. The kaleidoscopes – each lined with mirrors and large enough to crawl into – fracture and intensify their surroundings (respectively, a stream, a valley and – in the distance – Sacromonte itself). And the chapel – made of two six-by-nine-metre walls leaning toward each other, one of which is punctured by a black box that looks a bit like a horizontal chimney from one angle and a competing mass from another – is set in a small clearing in a vineyard. Though the narrow enclosure, with its evocative lines and vestigial countenance, does accommodate visitors, it also acts as an object of contemplation from afar. Despite being South America’s second-smallest country, Uruguay has long punched above its weight when it comes to innovative architecture. Past projects of note include Eladio Dieste’s world-famous brick structures and the dramatic subterranean mausoleum that Lucas Ríos Demalde and Alejandro Morón designed in honour of the nation’s founder. More recently, Rafael Viñoly’s circular bridge for the Laguna Garzón and a café-bakery sensitively installed by Pedro Livni in a Montevideo heritage building have generated buzz. MAPA’S profound yet simple design style seems destined to carry the torch. In addition to pursuing projects in neighbouring Brazil, the firm is considering opening a North American office. For now, however, one of the best places to experience its thoughful, site-specfic work are 100 rolling hectares in Uruguay’s southeast. mapaarq.com, sacromonte.com
LEFT: The facades of Sacromonte’s four cabins are composed of various materials, from mirrored fronts (on previous spread) to slatted-wood sliding walls.
ABOVE: On another side of the mirrored cabin, a 15-centimetre-thick steel frame supports logs of various diameters to form a 40-centimetre-thick wall.
ABOVE: A nondenominational chapel punctured by a black box (or viewfinder) can itself be seen as a sculpture from afar.