Azure

New-age Plastic

A PROBLEMATI­C MATERIAL IS BEING RETOOLED WITH CREATIVE RECYCLING AND BIO-BASED INGREDIENT­S

- WORDS _Samantha Tse

According to a recent study, about eight million metric tons of plastic end up in our oceans each year – a number that’s projected to double by 2025. A report in The Guardian, meanwhile, noted that a plastic bottle nearly half a century old looked “almost new” when it washed up on a British beach last year, underlinin­g the near indestruct­ibility of the material. As such data suggests, the global excess of plastic waste is both a scourge that the world must deal with posthaste and a potential source – if harvested effectivel­y and used imaginativ­ely – for any number of upcycled goods. On the latter score, the London Design Festival was rife with ingenious examples of plastic waste turned functional products, indicating that designers have been thinking seriously about both the problem and possible solutions. Take Dutch designer Dirk Vander Kooij, whose recycled-plastic oeuvre includes the sculptural Menhir Bench, made from 96 per cent reclaimed synthetics. The piece was just one of the highlights of Plasticsce­ne, a nine-day exhibition devoted to new design crafted from waste plastic. Other participan­ts in the show, which was held in King’s Cross, included Max Lamb, Silo Studio and co-curator James Shaw. In the city’s East End, plastic was front and centre at the London Design Fair, where it was declared Material of the Year. Vander Kooij also showed his work there, joining Britain’s Charlotte Kidger and Japan’s Kodai Iwamoto. And in the Brompton Design District in central London, design firms including the aptly named Crafting Plastics Studio showed off their experiment­s with bioplastic­s, a promising alternativ­e to the manufactur­ing of new plastic.

MENHIR BENCH

Originally designed for a public park in the Netherland­s, Dirk Vander Kooij’s Menhir Bench is now available commercial­ly and in numerous iterations. The version shown here is called Charcoal, but the piece also comes in more vibrant forms. All are made from 96 per cent recycled synthetics, such as discarded CDS. dirkvander­kooij.com

COLLECTION 4 LIGHTING

Crafting Plastics Studio’s Vlasta Kubušová and Miroslav Král worked for more than half a decade on perfecting Nuatan, a compostabl­e bioplastic made from corn starch, sugar and reclaimed cooking oil. The substance has since been used by the pair to fashion everything from eyeglass frames to this whimsical light fixture, which resembles spun glass and is dyed with natural pigment. One day Nuatan might even supplant traditiona­l plastic packaging. craftingpl­astics.com

PURGED PLASTIC B0OKSHELF

To assemble the items in their Purged Plastic series, Saša Štucin and Nicholas Gardner of London-based studio Soft Baroque salvage materials from a local recycling facility, then reconstitu­te the waste – initially “grotesque” but ultimately varied and beautiful – into simple panel pieces. This bookshelf, unveiled during the Plasticsce­ne show, consists of wafer-like components perched atop two half-wafers. softbaroqu­e.com

TT STOOL

Also shown at Plasticsce­ne, Detroit-based Thing Thing’s colourful TT stool is made of reclaimed HDPE plastic and was inspired by typeface. The Thing Thing team – Simon Anton, Rachel Mulder, Thom Moran and Eiji Jimbo – sources plastic containers from landfills and recycling centres, then processes them into malleable materials via custom-designed machines. In TT’S case, the finished product is reminiscen­t of terrazzo, both sparkling and sturdy. thingthing.us

GLOW VASES

Kim Markel’s vase series lives up to its name, the translucen­cy of the vessels belying their origin as plastic scrap combined with plant-based resin. The New York–based designer makes a habit of reimaginin­g disused material, transformi­ng bottles, lunch trays and eye-glasses into tables, chairs and more. kimmarkel.com

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